Recently I found a pair of Long-tailed Tits that were building a nest in a dense hedgerow protected on all sides by thorny branches. I’ve spent as much time there as I can, working from a camouflaged hide to minimise any disturbance to these tiny birds by my present.
I’ve been working on a personal project in the beautiful Peak District, documenting one of the UK’s most beautiful and stunning summer visitors, the Redstart. This attractive little cousin of the Robin and Nightingale is one of my favorite summer visitors to our shores. They are immediately identifiable by their bright orange-red tails, and were also known as ‘firetail’ which they often quiver and constantly flick.
Quartering over farmland, hovering with moth like silence, flying effortlessly on the wing in the half-light at dawn or dusk is the supreme hunter, the Barn Owl. A bird that has always created a sense of great excitement and fascination for me. In British folklore, a screeching Barn Owl is believed to predict that a storm or cold weather was imminent. During a storm, if a Barn Owl was heard, it indicated that the storm was nearly over.
The custom of nailing a Barn Owl to a barn door to warn off evil persisted into the 19th century, something you just wouldn’t believe people would do but back then strange things went on and happened to these amazing owls.
The Barn Owl had a sinister reputation, a bird of darkness, where people associated it with death. The Ancient Greeks and Romans saw owls as a symbol of wisdom. Athena the goddess of wisdom is often depicted in art with an owl perched on her shoulder. Sometimes owls were also viewed as messengers from the gods, full of wisdom and helpfulness.
Over the last several weeks I have been watching a family of Barn Owls live out their lives in an old disused building overlooking some beautiful countryside . In some of the most testing weather since records begin two adult owls have raised three healthy chicks that now are almost ready to take their places among our countryside. With the wettest June on record it’s been hard work watching the parent birds put their own lives on the line by hunting in this wet weather.
A lot of the time though the weather has broken and this has allowed the owls to hunt and build up their larders of food which is a key behaviour among Barn Owls. This stored food then helps during the long periods of wet weather.
With no sign of improvement it’s hard to believe its summertime in the UK. I like to study air pressures and weather fronts as it really helps within my work. The reasons for this wet weather are simple when you take a look at the weather charts, the jet stream.
During most summers the jet stream lies to the north of the UK, so rain-bearing weather fronts and depressions miss us and hit Scandinavia instead. This year however this jet stream has shifted southwards and is lying over France and southern Europe, this has left the UK wide open to these depressions and all this wet weather.
One possibility to what maybe moving this jet stream is warming temperatures between the Arctic and the tropics and the shrinkage of the north polar ice cap. These changing weather conditions and patterns may be around a lot more than we think in the future where alongside wildlife we’ll have to learn to live and change alongside this ever present climate change that are here to stay for sure.
My hide is some distance away, completely hidden from view and well camouflaged. The image above is the view I have from my hide and one of the perches they are using now, exercising their wings and doing their tester flights just before sunset each evening. I move my hide to a different place under the cover of darkness as not to disturb them and also once the dawn light comes up the wildlife will see the hide and accept it as part of the landscape. Again cutting down on any stress, and disturbance to the wildlife and in this case the Barn Owls.
With a mixture of different focal lengths, tele-convertors, crop modes in camera and time I’ve been able to photograph this family and capture them going about their lives at this location. Wild Barn Owls are protected under the Wildlife and Countryside Act 1981 and so should never be disturbed in any way. I am using really high ISO’s on my camera in order to get some shutter speed, as they aren’t coming out until around 9-9.30pm. I never use any sort of flash with wildlife as I feel any form of bright light suddenly hitting an animals retina disturbs the subject.
When you work somewhere new like this site, you gradually build a picture of movements, favourite natural perches, flight patterns etc. This is a skill you have to learn in order to try and second guess where and when your images will come from. This takes time and is very time consuming but for me its the very essence of real wildlife photography. At the same time you learn so much about the subject, and the habitat in which they live. The image above is of the paler male Barn Owl perched on a stone lintel, he is so stunningly beautiful.
The Barn Owls use the main barn as well as some smaller buildings which often both the adult and young perch on. Hours pass by, with nothing, not a sound, then a white flash passes by my hide, a corus of loud hissing noises can be heard as the adult owls come in with prey. This image below is the male Barn Owl who likes to perch on the pitch of this old roof here and on this evening my hide was close and by pure luck he landed, stopped and looked straight through me.
I was too close really, so I went for a close up of his amazing and beautiful, heart-shaped face. I managed to take just one photo on silent mode before he flew off and carried on hunting, and this is that amazing moment captured here. The male has much lighter plumage around the breast and face and has a completely white chest nothing else, the female on the other hand is slightly bigger and has black spots on her chest.
The ability to see things that are hidden and hunt completely undetected are key to a Barn Owls life and survival. Often without warning they arrive and vanish before you have any chance to capture this. I always like to capture wildlife as seen on the ground, going about their lives with no disturbance by my presence at all, I like to compose my subjects on whatever they land on.
They are venturing out more and more now and it won’t be long before they completely leave the comfort of this building and start to live and roost among the many trees littering the surrounding landscape. When I leave the site in almost total darkness I often see one or both of the parent birds flying over the farmland with one of the younger ones in tow, their white bodies giving an almost floating appearance as they fly and dive.
Maybe they are having hunting lessons, learning their craft, who knows but it’s very enduring to see and both adult owls have been brilliant parents that have managed to feed and bring up their brood in some of the wettest weather since records begin.
I hope to continue to follow the progress of this Barn owl family over the next several months, where any day now the young will fully fledge and leave the place that’s been their home now for several months. Its been a special and privileged time for me to witness these amazing owls live their lives around me. Often I’ve just sat and marveled at their antiques, and behaviours, with each youngster having their own personality. They is one that’s just slightly smaller than the others and seems to need more attention from his parents which is so enduring to see and watch.
I will be releasing a few more Barn Owl limited edition prints soon which will be available framed or unframed and in canvas format to go along one of my favourite ones that can be seen and purchased here if you scroll down to the bottom of the page. Where 50% of the profits from each sale go to this trust I support with my work, because I love Barn owls and want to help them.
The Barn Owl Conservation Handbook is a comprehensive guide for ecologists, surveyors, land managers and ornithologists written by the Barn Owl Trust. I help this trust in any way I can in order to help this amazing owl keep safe and it’s survival. After the launch of this guide last week I received this from the Barn Owl trust, which was wonderful and I’m so glad my Barn Owl images can help. Dear Craig
I am very pleased to say that the Barn Owl Conservation Handbook we started writing in January 2010 has finally arrived and the first copies are being mailed out today. This publication represents a major milestone in the Trusts history.
On behalf of my co-authors and all the books future beneficiaries I would like to thank you for your unique contribution in providing your wonderful photograph of a Barn Owl hunting in flight during daylight that appears in colour on the back cover alongside Mike Toms testimonial.
Without your photos, the Handbook would not be as good as it is. Thank you very much indeed. David
David J Ramsden MBE
Click here to be taken to their website and to purchase this guide. Also this as many charities in today’s times is run on donations so if you can help them to carry on their wonderful work then please do so and visit their website by clicking here many thanks.
One of the most important tools in wildlife photography is fieldcraft. Getting to know the subject, spending time watching, listening and looking, learning its behavior, its habits and calls. In turn all of this will reward you with a far better chance of capturing images that show the subjects natural behavior.
Regardless of the level of photographic skill your at you will need to learn fieldcraft to capture those images you see while among Mother Nature. With this though comes a great responsibility and integrity to your own work and your own foot print you’ll leave behind you when you leave the wildlife and go home.
Wildlife photography’s power rests on the belief that it represents an event that occurred naturally in the wild, something witnessed and recorded by the photographer with his camera at that given time. Clever use of friendly animals, hot spots, bait and the per-arranged perches or props along with digital technology has forced everyone to re-evaluate and question the validity of images they see now.
Living animals have feelings, emotions not to dissimilar to our own, tap into that whatever the subject maybe and you will see the real and true beauty of wildlife unfold in front of you. Apply your passion and respect on top of fieldcraft and the images will come.
Many species of mammals and birds will allow you to approach them closely if you are careful and take your time, no fast movements and using the correct techniques. Read the land for yourself, see what’s in front of you, in between you and the subject, use natural gulley’s and shapes to break up your approach. Never make the mistake of walking directly towards your subject as the chances are the animal will have long gone.
All wild animals that have no or very little contact with humans are scared and fear man. They see and smell us the moment we enter their world of which they are designed for and we aren’t. They have an in built fear of man and see us as a threat to their lives to put it bluntly. For me its how the person deals with that level of fear and stress using their fieldcraft that’s important.
Animal tracks tell you so much about what’s happening around you. It’s their highway, the way animals navigate their chosen habitat. Look for darkened earth a clear sign there’s life around. Just standing still for several minutes and look to see any natural lines, faltered grasses or earth moved or piled up. This then will give you a bigger picture of the main routes in and out of a forest say or farmland track leading to a wood and so forth.
Look towards the sun when studying tracks, you will see the shadows better. Footprints in soft ground will begin to deteriorate around the edges within 2 hours depending on the humidity, sunlight, and breeze giving you vital clues to what and how long ago an animal passed by that spot. The depth of the tracks and length of the stride can indicate the weight of the subject and the physical strength of the animal that made them.
Find out which way the wind is blowing making your approach better as most animals have a great sense of smell and it’s the first thing to give you away. The wind always wants to be blowing into your face, this will blow your scent away and remember to forget the aftershave or perfume along with soaps that are high in perfume as these will be picked up from great distances away. It is also important to recognize and learn the signs of stress within the animal so you know when to stop and leave the animal well alone. The last thing you ever want to do is cause undue stress and disturbance through your actions in order to get the shot.
Clothing, wind direction, covering the ground, shape, shine, staying low, can all help in capturing those moments in nature where you have to work harder with some animals than others. Some species will accept human presence quicker, taking only hours, where as other more sensitive subjects will take weeks if not months.
It’s the way I work while capturing wild animals in their their natural habitats while working very ethically alongside nature. Composing the wildlife to show others how they go about their lives,where they live and conduct their lives. So correct fieldcraft is an integral part to the way I work as a wildlife photographer. Being at one with nature is amazing and with time and effort and applying good fieldcraft everyone is capable of capturing those beautiful moments I am blessed with seeing each time I enter the natural world.
In July’s issue of Practical Photography I give my top ten tips and advice in order to help you, whether you’re just starting out or more accomplished in regard to fieldcraft the article is written passing on my many years of experience in this field over the years. Fieldcraft is the foundation to my work and style as a wildlife photographer today and has been since the moment I picked up a camera.
Look at the Foxes ears below, he couldn’t see me, but he could just make out the faint noise of my shutter noise from my camera. Each ear is facing in a different direction, one facing forward and the other facing towards where he heard the noise. He’s doing this to locate the sound in a bid to locate me, wonderful animal behaviour you can learn to read by using your fieldcraft skills.
Today people really want to see how you got the image and as a wildlife photographer you not only have a duty of care to your subject’s welfare but also to the general public who buy your work or follow you I feel. Showing and explaining how that image was taken, the skills you employed to achieve the image are paramount today.
The most important tip and piece of advice I can give in improving your fieldcraft is respect your subject, let wildlife live their lives without fear or stress from your presence. Apply all my tips from the article and the animal will benefit first and foremost and be able to carry on with their lives. Applying these tips will also allow you to capture images with a real story. Leaving little or no disturbance from the photographer is the best piece of fieldcraft you can learn and apply.
People then can see your fieldcraft and subject knowledge behind that particularly image. Learn the basics of fieldcraft and you can implment these to any real time situation within the amazing world of nature you will come across. I hope you enjoy the article which you can see by clicking here, many thanks.
The highly secretive and stunningly beautiful Dartford Warbler photographed here among its health land habitat further North from its more Southernmost stronghold in the UK. A tiny, secretive bird, often only ever glimpsed darting between bushes on lowland heaths. They emit a harsh rattling call before vanishing into cover, only to reappear somewhere else having worked their way through the thick cover they love to live in. I have been really lucky to have seen this bird so close after travelling to many wonderful places in the UK on the lookout for this attractive bird with a hope of seeing and photographing its beauty. The Dartford Warbler is rare in the UK and lives almost exclusively in the South. It was first found in England in 1787.
To watch him was amazing, his lively and very nimble movements, hoping from one perch to another, twitching his wings and tail every so often. He spent long periods concealed in the vegetation offering only the briefest of glimpses, his bright red, angry looking eye peering at me from the thick, thorny thickets. Every so often he’d appear and gain the highest vantage point in which to sing from, his song was very distinctive and harsh and high in pitch once heard you never forget this call and then he’d vanish for a while. The first indicator he was around was his call, as it stood out among the other bird calls on the moors.
The challenge was to second guess where he’d appear allowing me a clean, full length photograph of him, using fieldcraft and blending in, as I was not using a hide making it hard to pin down a certain place he’d appear and come out from cover using the many natural perches open to him. The colour of these birds set them apart from many UK birds for me, a dark grey head and back with a dark wine-red chest and underside with white fine spots on and the most beautiful eyes you’ve seen in a bird, bright red, almost angry looking in appearance, just a stunning bird standing as proud as punch singing away among the heathlands, an amazing time with this amazing bird.
What truely amazed me was how well the different colours of this bird blended into his environment, where the colours of mother nature worked together so well in letting this shy bird completely blend in and become totally unseen. The rich colours of the heathland lending their colours almost identically to those of the Dartford Warbler , a clear view to just how wonderful nature his.
In the past the bird has been vulnerable to changes in climate and two harsh winters left just 11 pairs of the bird in 1963, but Britain’s most colourful warbler is spreading its territorial wings having returned to Wales, the Midlands and East Anglia, there are now more than 3,000 pairs – the highest tally for more than 40 years. The Royal Society for the Protection of Birds says the recent rise in numbers – to an estimated 3,208 pairs from 1,890 in 1994 – is due both to milder winters and improvements in the conservation of heathland habitats.
But the latest reports indicate after the two harsh winters the birds numbers may have dropped significantly, Cold weather in 2009, 2010 caused a 90% reduction in warbler numbers across the South of the UK . However, freezing weather and snow in the early parts of 2009 and 2010 and earlier this year have caused great concern that these small birds could die out, with a crash in numbers in their southern stronghold of the UK.
A truely stunning bird with a call you’ll never forget once you hear it, just amazing to see these birds within their natural habitat and I will be going back soon where hopefully he will have stayed and may have a mate around as during all the time there I never saw a female and his behaviour would indicate with his ever present singing he was looking for the female, marking his patch, defending his territory from other birds, more so Stonechats that share the same habitat. I hope to photograph this amazing bird again during the year.
Over the last couple of weeks I have noticed a slight change in the weather, with brighter mornings and lighter evenings. It would seem spring is on its way and maybe upon us very soon. After a long period of poor weather, resulting in low light, it will be most welcomed, with my recent trips to Norfolk and my wildlife workshops at the beautiful Trentham Estate and working on the several projects I am doing in my own time the working conditions have been testing to say the least, but ingrained in me along with a deep love for wildlife is that motto of mine ‘that there is always an image to be had’, however big or small.
However good or bad weather, working with this mindset always rewards you, bringing out your flare and passion in changing conditions at the same time learning you more about how you view an image, pushing your own creative images and boundaries. I have been lucky on a few occasions though where I have been working on several different subjects, when the clouds broke and the area was bathed in warm sunshine. Warmth lifts the spirits and brings places to life and I really think spring now is almost upon us and its the best time of year for me, full of life, action and behaviour. A complete paradise to be among its beauty at this special time of year, witnessing the countryside awaken from its dormant winter state.
The mornings are a wash with bird song at the moment, all competing to be the most musical, filling the air as each bird stakes their claim on a certain patch of ground, among the beautiful songs at dawn one song in particualr symbolizes the British countryside and springtime more than any other call and that belongs to the beautiful male Blackbird. The call travels far, cutting through all other bird songs and is a mixture of different notes and pitches that once you hear its distinctive sound you will never forget the sound.
Spring is one of the four seasons, the period between winter and summer, and for me the words Spring and Springtime bring thoughts of life, birth and regrowth to our countryside. A special time for wildlife, where all species are looking their best, in tip top form hoping to attract the ladies and breed with. Behaviour within the animal world starts in spring, handsome males showing off, displaying to each other in an act of supremacy over the other, using what ever they can to win over the attentions of the females securing a mate for that year. With the lighter mornings and evenings wildlife becomes busy, more active giving greater opportunities to capture its beauty during springtime.
As our Winter visitors leave to go back home to breed the influx of our summer visitors start to slowly arrive to our shores making spring one of the best times in the calendar of nature. I maybe a little early still but from the work I’ve been doing over the last two weeks a change is in the air, alas the odd frostly night and cold morning thrown in to confuse and disorient the wildlife is always on the cards but on the whole winter is behind us all I feel.
The countryside becomes a wash with colours and new growth, a mesmerizing number of birds fill the lands. Flowers start to bloom, eventually carpeting the woodlands in a blue carpet of bluebells, one of the great sites of Britain. Many other flowers suddenly start to appear, muti-coloured and hugely varied in form and shape. A beautiful time of the year where that extra hour of light at either ends of dawn and dusk is very welcome and needed, making the days longer and warming the place for longer. It really is my favourite time of the year.
I have been working on many different subjects, building trust and patience with each species involving many hours waiting. I have two new Dipper sites and my workshops are as popular as ever, the Skomer workshops I do are being booked with the arrival of the “clowns of the sea” as I call them. Any day now the Puffins will arrive now spending 8 months of the year at sea and only 4 months on land, an amazing feat. I have always loved small in the frame images, showing the subjects habitat letting people see where the animal lives and how it conducts its life. The following two image are a male Wren and a male Dipper on the same stretch of river looking in top condition.
While photographing the Dippers at this new site I spent some time watching this male, who had found these logs all gathered together at the side of the river and used them to defend his territory from and sing. I saw him dive into the water and feed and he seemed to be acting differently so I turned on the video on my camera and began filming. About thirty seconds into the film he turned around and in a flash regurgitating a pellet. The contents of a bird’s pellet depend on its diet, but can include the exoskeletons of insects, indigestible plant matter, bones, fur etc, many birds do this to remove such pellets, I have rarely seen this though in Dippers and I was really lucky to have captured it with this short film.
Below I managed to photograph a male Kestrel hunting over marshland over the last few days which is among a large industrial estate, where I think they have started to make a nest, here I used the cover of the reeds to break my shape up at the same time hide my approach clearly showing the estate in the back ground. Something I plan on working on should these birds stay.
There is just so much going on now within the countryside so enjoy this magical time of year where for me there is just not enough time in the day to capture everything I plan working on, I am hoping to capture images from my time spent on the various different species over this beautiful time of year that spring is. This is not always possible though so for me just being there is enough, where I witness a window into a wild animals world.
For details on my workshops, one to ones and the photo trips I run then please contact me here or alternatively view the workshops page for full listings. The Sumatran Orangutans trips itinerary can now be viewed and booked here
All of my photo trips from one to ones right up to the bigger trips are designed and lead from the front by myself, where each trip is designed for wildlife photographers where I pride myself on working with the very best people on the ground and in the field giving that personal and private touch offering all clients the best service possible with smaller group sizes in most cases ensuring all my clients get my full expertise and guidance, learning more about the wildlife and the environment in which they live. Many thanks and good luck with the weather.
And before I go on page 90 of the March issues of the BBC Wildlife magazine you’ll see an advert for a range of clothing called 511 Tactical series, they want me to trail some of their clothing and equipment while on my travels here and abroad. Ray Mears himself an ex-soldier has been using this brilliant clothing for years.
The name “511” represents a gruelling climbing grade as listed in the Yosemite Decimal Grading System, and as a skilled climber myself I’m looking forward to using this clothing and equipment. I’ve spoken with their top UK guy and they are branching out from their American homeland and going for the ‘softer’ approach away from the guns and the body armour etc. They are looking to the outdoor market, walking, camping, survival market and climbing for which it was originally designed for and gets its name from.
I will be using their tactical pants –cotton, tactile Pro pants, tactical Pro long + short sleeved shirts all in green and browns,sand colours, their Rush 72 back pack complete with hydration pack idea for long walks with heavy kit which is the way I work while in the field. A place where you have to rely on your kit to make it just that bit more comfortable, I will update my blog and do a full field test and review when I’ve received the items of clothing and equipment. Their website can be viewed here.
There a few places in the UK where you can experience the sights and sounds of nature any better than the North Norfolk coast during the Spring Tides that start in earnest from this month onwards and for me herald the onset of the Autumn and Winter months,where the seasons change from the Spring/Summer into the Autumn and Winter.
Having just returned for a wonderful One To One day with Mike Breedon from South Yorkshire,where it was his wish to learn more about wildlife photography after contacting me through my website,the skills I use,expert fieldcraft,lens techniques,light,camera settings and so fourth, the venue Mike chose was one of the Spring Tide/Barn Owl days I run.
The weather was amazing throughout the day,with the morning light being one of the best I’ve seen in years of coming to this beautiful place Snettisham is,with its moon-like landscape,vast open spaces,where thousands of birds fly past you,feet away,its just an amazing place to be during these Spring Tides they are now beginning to happen on this beautiful stretch of the North Norfolk coastline.
During a Spring Tide most if not all of the estuary is consumed by the sea and submerged underwater.Out on the mud and sand flats you’ll see thousands of wading birds feeding at low tide,as the tides rises,the mud and sand flats disappear underwater and the birds are suddenly forced to move closer into shore by the incoming sea.They then take off,and fly in vast and awesome flocks towards you on the beech at Snettisham,a place that provides a safe refuge in which to rest until the falling tide allows them back onto the tidal flats.
Some of the birds from Geese,Redshanks,Oystercatchers and Grey Plovers are wonderful to watch in flight as the fly overhead escaping the oncoming tide,but for sheer size and show the smaller waders,such as Dunlin,Knots really steel the show for me.They perform for the gathering public that make the early start to witness one of natures most amazing spectacles.These smaller waders gather in great ,dense packs and lines,almost like bee swarms,rising,falling,twisting and turning all in perfect,rhythmic sweeps and stalls,before pouring into the roost site like falling hailstones.
Once they have landed they seem like they are not quite happy,un-decided its safe from birds of prey that circle the sky on the lookout for an easy breakfast.So up they come and do it all again,twisting and turning in the sky,until, once again they land almost in the same or close to where they were in the first place.When the birds are in the sky they are almost as one,one minute dark,the next silvery white,turning their backs to you,then their pale undersides in a show of coordination that’s second to none.I have never seen two birds make contact,making this site a truly magical event to witness in nature.
I have a few more dates free between now and December so should you wish to book or just found out a little more on these dates,my One To Ones,Workshops and how I run them then please send me an email here or call me on the number provided
Mike came away from the day with some great best practises I feel,where I was able to help him to understand the concept of capturing wild animals within their natural environments,in turn showing the general public where these birds,animals live,feed and breed and how they conduct their lives within the habitats around us.
Mike sent me his thoughts on the day-
Looking at my own images compared to other professional and amateur wildlife photographers I thought I needed a push to get to the next stage in order to improve in all areas of photography, field craft, and composition and general wildlife photography skills. I decided the best way would be to go to a total stranger who would hopefully recognise my faults and shortfalls and then not be afraid to show me where I was going wrong. I was fortunate to find Craig’s website which was easy to follow, looked clean, tidy and well organised and very professional as well as indicating that the type of One to One day he was offering matched all my requirements. I was not disappointed, I found Craig to match his website, easy to get on with, very informative, very professional and passionate about all aspects of wild life in its own environment, willing to offer advice and teach field craft skills in such a manner that made it all fit together to make the day good value for money. Professionalism was evident right the way through the long day even down to the standard of the packed lunch, a great day Craig and one which completely fit my requirements. Now all I have to do is try to put all that information and the practices into action. Now then, what did Craig say about composition.
Regards,Mike Breedon, South Yorkshire
The importance of simple composition,giving the images room to ‘Breath’ and the most important tool in the box of being a wildlife photographer, which is fieldcraft,approaching subjects without causing them distress,using the cover available to break up your shape and silhouette where the wildlife will see you before you know it.
Using simply techniques to establish the wind direction,reading tracks,helping you to see whats around you and many more things I know and teach on these day(s) all major factors in getting close to wild animals.Which I have mastered in over 30 years of love and passion for wildlife alongside my expert fieldcraft skills from my military background,giving the client the very best in wildlife photography on all the events I run.
All my One To Ones,Photo-Tours,Workshops are run along the same lines,with my great passion for nature being one of the key elements in showing and teaching people how to have a contact with nature,which is all around them,by watching,listening,hearing nature,which in turns builds a picture of whats happening around you at that time.The camera skills I show are the same ones that I use and that have improved my own wildlife photography.
I do this in many ways,one of which is to show the client(s) how I use my own camera,illustrating the processes at first hand,giving an insite into which and what settings I use,showing techniques in camera,composing the image in different ways and showing the clients the ideas I have etc.I feel this is a very powerful learning tool for people that attend my workshops.
I hope that has helped you all to see how passionate I am about everything within nature, and what nature means to me,any questions then please don’t hesitate to contact me.A big thank you to all those of you that have emailed me wishing me luck in my first Birdfair next week.Those of you that are going please drop by Marquee 6 to say hello to my wife and I,where you will see a selection of some of my work in framed,mounted or canvas format for sale,alongside many other iteams.
Should you wish to ask for any advice on wildlife photography etc then drop by and ask I’ll be more than happy to help you.Also please give as much money as you can in their Auction this year as this helps projects,Birdlife all around the world.I have a limited Edition Framed Tiger print I have given to help,and its lot number 83 so please bid as much as you can to help the great cause’s Birdfair help each year Many thanks.
I’ve just returned from two wonderful One To One days in Norfolk that a client from Scotland:Bobby had booked with me.I’m always happy when people make the effort in booking onto one of my trips or One To Ones,where in Bobby’s case traveling some distance I took care of everything, the hotel booking,food,packed lunch the lot so no matter how far the client has to travel to attend one of my trips I pull all the stops out,enabling them to ‘Just Press The Button’ and enjoy and capture the chosen wildlife they have asked to photograph and learn more about.
I find the task of meeting a stranger in the early hours of a new day not a problem as I do really like helping people to take better images,where I teach it all from expert fieldcraft,crafted over many years of being at one with nature right through to the camera settings,pressing home all the time that wildlife photography is for everyone,where good images can be obtained with effort and patience.My passion for nature ever present and I show the beauty of whats around us all,where I share my skills and information from the moment someone attends my trips/One To One days,so when they go home they do so in the knowledge they have learned in parts, the skills,setting,knowledge of nature that I know and use and over time with practise and patience their work will improve as mine has done.
The key target when I am heading east from my Staffordshire home to Norfolk is the beautiful Barn Owl-‘The Ghost’ as call them as you can be waiting for some time,then from know where this white bird appears,almost like a ghost,perfectly silent in flight,going about its business,quartering the fields on the look out for rodents and small voles,briefly looking up at you with its ‘Disc-Like’ face,giving you a split second look at their beautiful faces.My preference has always been to get into place before the light comes up,using camouflaged clothing,and place yourself in nature, where by watching,listening and observing what is happening around you you can start buildling a picture of whats happening around and over time this for me is the best tool to learn with regard wildlife photography and one I always press home on any workshops/trips I run.
The weather in Norfolk was’nt great,but on the first night we where afforded a beautiful sunset,where I was dreaming the Barn Owl would fly past,but some dreams are just to big and will always remain just that,dreams.The colour from the sunset turned the whole place a red/orange colour,it was just amazing to watch with no wind you could here a pin drop,just the noise of the waves breaking the perfect silence.
Bobby managed some great shots and also some wide-angled landscape image,where there is always an image to be had even in the absence of wildlife.The two days went to quick,with only the images on my hard drive now to remind me of my latest trip to Norfolk.I tired to capture the Barn Owl within the farmland habitat in which it share’s its life alongside humans,where there is the close contact between these two and where the Barn Owl seems to be thriving with good numbers of these birds all over Norfolk
For me the Barn Owl never stops thrilling me with its presence,it is a really popular bird within the general public, when you catch one flying around on its quest for food it is just amazing to watch this master at work.This year I have witnessed them feeding in pouring rain,something I reported on in an early blog and behaviour I’ve never seen before.With the recent cold spell at the beginning of the year,one of the coldest in over 50 years, the Barn Owl struggled to feed itself and in some areas numbers have been down,but the real damage of this spell of weather won’t be truly known for some time yet.
I have released a Limited Edition Barn Owl image,with only 100 prints available.Where I had observed this male Barn Owl for sometime during our recent cold spell, I watched as he hunted over snow-covered ground. Here he is captured stopping and hovering over prey, just short of where I was laying down on the freezing ground. I could here his wings flapping during the brief time he hovered then moved on. To celebrate that beautiful moment in nature alongside my own love for Barn Owls I have brought out this Print.Where you can buy with or without a frame by clicking here and scroll down
A lot of my work and prints can be viewed this weekend as I have a display at the Pavilion Gardens,Buxton,Derbyshire.and I’m just making the final adjustments to my stand and choosing the images I will display and sell to the public.Its great to see my work in print as to often its just left on the computer or used at a much reduced Jpeg size,where the detail cannot be truly seen.So if you are in the area this weekend please pop in to say hello and if I can be of any help,or questions on wildlife photography etc than please ask.