I have always given alot back from my own photography since turning professional in October 2009 making my living solely from this industry that has changed so much during that time. Anyone that can see can take a photograph, what takes time is learning to see, I truly believe in this saying when it comes to wildlife photography.
On the second week with my clients I decided to restrict myself to one lens on each safari and post my favourite image from that day along with how I took the image, the settings behind the image and my thought process behind the image. This will I hope help you to get into the mindset of a working wildlife photographer and hopefully inspire you to think, see and take shots differently.
I have decided to post just one image on my blog from each day which will be very different to my previous trips to Ranthambhore. Hopefully it will demonstrate how one image can really speak for you, how it can tell a story at the same time making you a better wildlife photographer, restricting yourself to one image and thinking more about angles, composition and not just snapping away and thinking first and seeing the image within the image or the story as the title says.
The beauty of photographing wildlife is that it is always changing and evolving, encountering the unexpected. In this environment the wildlife photographer must learn to work with these changing environmental conditions and behaviours. Make best use of those and capture that wild encounter with your camera and the result cannot always be predicted .
The first safari of the second week started on Tuesday with new clients and the following images I hope will inspire you, help you and above all go someway into seeing a different way of thinking when you’re looking through your viewfinder. At the same time learning you so much about the subject, the environment it lives in and above all more about you and your own photography.
Tuesday 21st April 2014
Camera Settings – nikon D4S, nikon F2.8 300mm, F4, 1/200, iso 400, matrix metering, -0.3ev exposure compensation.
A mother Bengal Tiger and her one year old cub drink from a small forest pool in the late afternoon sun. On our afternoon drive with temperatures reaching nearly 42 drgees we came across this female and her two cubs. We parked up in a postion away from them and turned our engine off. She was sleeping for round two hours on and off and we just watched her and the cubs it was just magical. After they started to become alittle more active and they moved around and played before heading towards this small pool.
I was working with a fixed focal lens so I couldn’t zoom in or out and I was framing them the best I could. I focused my camera on the cub in the foreground and followed them down to this pool through my viewfinder. I was running out of room and did my best to keep them both in the frame very aware not to clip or cut one out and this was the result. Making best use of what angle you have is key when working with a fixed focal length. Soon after then moved off and all three vanished back into the forest.
Wednesday 22nd April 2015
Cameras settings – nikon d4s, nikon f2.8 300mm, f4, 1/2000, iso 1000, matrix, -0.7ev exposure compensation.
Two young Bengal Tiger cubs sit waiting for their mum after they heard her calling for them in the morning light. I was only going to get focus on one and depth of field so I choose the front one. This resulted in the cub in the background being burred and giving a strong outline of another tiger. Both soon moved off into the undergrowth and later found their mother who took them off into the forest.
Thursday 23rd April 2015
Camera settings – nikon d4s, nikon f2.8 300mm, f5.6, 1/2000, iso 400, matrix, +1.0 exposure compensation.
A Black headed Ibis feeding in the dawn light. I followed the bird through my viewfinder from right to left and placed the subject over the the right so the bird would be walking into the frame.I used continuos servo mode to capture any movement and freeze it with a high shutter speed. The result is seen here with the birds beak open and foot raised which adds a sense of movement to this image. I chose to under expose a little too to gain a strong outline creating a wonderful silhouette.
Friday 24th April 2015
Camera settings – nikon d4s, nikon f2.8 300mm, f4, 1/500, iso 1000, matrix metering, -2.0 ev exposure compensation.
A Black Drongo bird taken in the morning light. We parked up to just take in the surrounding then this bird landed feet in front of me. I really love these birds and their fork-shapred tails that live in the national park. This bird landed on these naturally occurring grasses and I composed him over the the righthand side of my viewfinder giving space to the front of the bird as I watched through my viewfinder. I waited for a little interest in the form of action or a certain look. Then the bird looked straight at me in something I call first contact. When a wild animal makes first contact with a human and this was the result.
Saturday 24th April 2015
Camera settings – nikon d4s, nikon f2.8 300mm, f8, 1/1000, iso 200, matrix metering, -1.0 exposure compensation.
We spent a wonderful few hours in the morning sitting and watching this family of Bengal Tigers. There were three cubs and a female Tigress that would come from the safety of the long grass, then play and then vanish back into this long grass. So I chose the aperture F8 so I could gain more depth of field. Under exposing for the light as it was very bright and we were shooting into the light.
Once all three cubs came out from cover composition was hard as I was using a fixed focal length lens and so I had to really try to keep them all in the frame. I placed my focus spot on the cub in the middle and this was the shot I took. I have changed it to black and white because more often and not images that are contrasty look better in this format.
Sunday 28th April 2015
Camera settings – nikon d4s, nikon f2.8 300mm, f 5.6, 1/1000, iso 400, matrix metring, -0.7 exposure compensation.
A young Bengal Tiger cub sitting near a forest pool makes first contact with me. A saying I describe when human meets wild animal and for a split second theres an intense stare that can often look straight through you. Composition wise I composed him over to the right, placing my focus spot on the eyes and leaving negative space over on the left. I took a few images and was carful not to spook him with the noise from my cameras shutter button.
Those are my images from week two, I have lots more but I wanted to post these hoping to inspire you and try different things within your own photography. Being more selective and disciplining yourself to a few images or using one lens I feel makes you work harder and inevitably a better wildlife photographer. two weeks and twenty-four safaris for me have flown by once more and Id like to thank everyone one of my clients for your time and I hope you enjoyed the time you spent searching and photographing Bengal Tigers here.
Thank you to Sealskinz for the products that have helped me on this two week trip to India which have really protected me and my gear in some hot and tough conditions.
If you’d like to join me on my 2016 trip then please see the following link, many thanks.
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