Entries Tagged ‘Wildlife Photography’:

I’ve just spent a great weekend leading my two day Beauty Of Wildlife workshop in conjunction with Calumet photographic, Manchester. My aim of these wildlife workshops I run throughout the year is to offer some fantastic practical one and two day seminars in some great locations where you will learn many tips and techniques, most of which I use in my own work as a wildlife photographer.

You can then put these into practise within your own work which will improve your photography, at the same time learning more about the wildlife that you see and capture with your camera. I enjoy sharing my vast accumulated experience of the natural world, at the same time I’m very passionate about helping each of my clients hone his or her photographic vision.

On the first day I went through  a mixture of talks, slideshow presentations and photographic tips and advice all geared into inspiring everyone within their own photography while at the same time helping them understand more about their settings, cameras and most of all fieldcraft. This was all rounded off with a cup of tea and biscuits. After which I went through each client’s camera showing how to get the best from each make and model in readiness for the second day out on the moors.

The group was a great mix of people, from all over the UK at varying levels of competencies and were really good company. We met at 5am on the second day, in the pitch black of the morning. I had gone through some key elements to wildlife photography the previous day in my presentation to the group. One of those elements was ‘light’. Find it, work with, and create your image alongside what light you have.  The weather was really kind to the group with a beautiful spring day which started with an amazing sunrise.

The group had a very nice surprise very early on during the day in the form of a couple of Mountain hares still in their winter coats. They stuck out very well against the heather which made them amazedly jumpy to approach I had touched on in the previous day’s presentations the importance of fieldcraft and your approach to wildlife so it was good to see everyone putting this into good use. The hares were very jumpy though due to their winter coats so were very hard to capture photographic wise.

Out in the wild, working with wild animals those tips could make all the difference to a well composed image so I made sure everyone had a better understanding of the key elements in order so they’d really benefit from their time with me. All the information and advice we discussed was contained in a handout I’d prepared for each client as seen above, this would help once the group had gone home to use as a reference guide.

After lunch the group were free to explore for themselves, put into practice skills and tips I embedded throughout those two days and it was really good to see them all going about their own work and capturing some lovely images with strong composition, good use of natural light and above all listening and watching wildlife to build a picture of whats happening around you.

Photographing wildlife in ‘the wild’ is the only real and true way of learning about behavior and fieldcraft, so it was very important for me to show the group on the second day how I work and go about getting the images that I achieve, while working with subjects that are free to come and go as they please and have fear for humans. Where you have to work the land and the environment to try and obtain an image, straight from the wild so to speak. The key to my photography is fieldcraft first and foremost, photography for me came much later in life.

On all my workshops, photo tours I have and do always stress the need to understand nature more and be able to work with her, alongside her in order to become part of their landscape and habitat without disturbing wildlife. The result is a better understanding of the wildlife and more importantly a greatly respect for the subjects around us all key ingredients in making better wildlife photographs in my eyes. My next wildlife workshops with Calumet can be viewed here

A big thank you to all the clients for your time and efforts during the two days. I really hope you got a lot from the days and learned something new. You were all great on the second day and looking back now you can see through the images you captured why the early start was so important to capturing lovely images of wildlife.

I recently judged the -New Beginnings Spring postcard competition 2012 where the first prize was a chance to see your image in print – over 50,000 times and also on Calumets invitation postcard for their customers for the Spring Open Days in our stores next month. Calumet had a phenomenal amount of entries for the competition. It was a tough decision for me to choose a winner, with so many outstanding images to choose from.

There was an excellent standard across the whole group where many could have won the first place. I chose this image because from the first moment I opened the image up it popping out of the screen at me with its beautiful and vibrate colours, clever use of depth of field and really nice out of focus areas giving the image a real soft and delicate appearance. The colours and the flower symbolize new life and the coming of spring for me, a wonderful image.

Congratulations to the winner Nigel Burkitt who’s winning image can be seen here and will represent Calumets Spring Open Days that can been seen by clicking on this link. The image can be seen above alongside the dates. I will be attending the Manchester and London stores to do a couple of wildlife talks and presentions during those days so hope you can come along.

The onset of spring cannot be denied now, with the warming temperatures, lighter evenings and the morning dawns becoming earlier. Spring is almost up on us, though there may be many false dawns before the days of frost and grey fog are behind us. Over the last week at many of the places I have visited alone and with clients there has been a real air of spring, with birds singing their hearts out, making the dawn corus truly deafening.

Spring is the best time for me, with nature coming into its own from months of dormant inactivity, where as each day passes changes are ever present, a truly beautiful time and one I encourage everyone to just sit somewhere and listen, watch as nature is unfolding.

Birds sing to attract a mate, showing off their pristine plumage where nothing is out of place or left to chance. Lighter morning and evenings add more opportunities for things to grow, bringing everything to life that lives. For me there is no better time to watch and photograph wildlife from wetlands, reed beds, lakes to rivers this time of year will provide marvelous wildlife watching opportunities where you will see different behaviors in wildlife not seen most of the year. The key time for me is when the clock goes back in a few weeks and we gain more light in the mornings and evenings, from this point on it only gets better in my eyes.

Spring is seen as a time of growth, renewal, of new life a wonderful time of year within nature’s calendar. The axis of the earth during Spring is increasing its tilt toward the sun and the length of daylight rapidly increases along with the temperatures the result being new life, growth and longer days.. Animals and birds begin breeding, building homes in readiness for their young.

Catching the season moving from winter into spring is a beautiful time of year.  It’s a complete paradise to be among its beauty at this special time of year, witnessing the countryside awaken from its dormant winter state. The words spring and springtime bring thoughts of life, birth and regrowth to our countryside. A special time for wildlife, where all species are looking their best.  The odd frosty night and cold morning thrown in to confuse and disorient the wildlife is always on the cards but one of the mildest winter s we’ve had is behind us all now I feel.

So make the most of this amazing time and get out into nature as much as you can over the next couple of months and you won’t be disappointed. Thank you to my clients who’ve attended my one to one wildlife photography days over the last couple of weeks. Where I have taken them to some of my favorite places around the UK witnessing the wildlife and also this wonderful change in the seasons, good luck to you all.

There is a real air of spring around at the moment among the UK countryside, with the odd spell of frost or even snow on the higher grounds, just to add to the confusion for nature. 2011 was one of the warmest years on record with lengthy periods of warm weather each month right up until the end of the year. In with the New Year and again those mild, warm temperatures seem to be still with us with little promise of the cold spells we’ve had in previous years.

On the ground nature is confused, the sudden warming temperatures for this time of year is playing a cruel game with nature, one minute warm the next an overnight frost. You can see and hear the birds singing to attract a mate, defending their territories with great cause. Dippers displaying and starting to gather nesting material, the countryside really feels like it should be much later than it really is due to the influence of the warmer weather.

Mother Nature is powerful though and animals and plants will overcome and survive.  I believe as nothings is as powerful as nature. While being among wildlife you get the impression that you’ve missed something or they have, what I mean is by watching the behaviours of the wildlife its seems that winter has been by-passed and were heading straight into the season of spring. I really hope that the cold spells of weather that nature has endured in 2010 and 2011 wont now come along and catch the wildlife out as that would be one of the cruelest lessons in which to learn from.  However, I fear that this could happen quite soon.

As each year passes and we hear that a warming record has been broken, or nearly broken again, it provides further evidence that unfortunately we are not just seeing a natural cycle of global warming, but instead humans are having an effect on the climate. I am not qualified on paper to start debating what is right or wrong I just know on the ground among wildlife things are changing and I do hope nature won’t be caught in between these warming temperatures and strange happening among the seasons.

Over the last three months though there has been one bird that seems to be doing really well within the warming temperatures and that is the beautiful Short-eared Owl that seems to have invaded many areas of the UK feeding on the bountiful supply of rodents. The internet is awash with brilliant images showing this often rarely seen owl outside of the breeding season. Recently I have spent back to back days there trying to capture different angles and images of these stunning owls.

Over that time the owls are late risers and rarely come out before the early afternoon but I go there at dawn and wait as you never know what may happen, as the site has other birds of prey. Fortune often rewards me and I was lucky enough to see a lone Shot-eared owl hunting in the morning light. I’d located an area in which these ground dwelling birds roost overnight and then just suddenly appear in the afternoon. I set my gear up overlooking this area, not to close to disturb them, placing my converter on my long lens as I waited.

Often the periods of waiting were greater than the time I’d see them but for me it’s just the enjoyment of being around wildlife.  That’s enough for me anything else is always a bonus. I often say I could sell all my camera equipment tomorrow and still be happy sitting and watching with my binoculars.

I have witnessed them diving for prey, perched in the morning light, and hunting in the pouring rain, which is very rare to see.  This is a costly exercise for owls as they don’t do well in rain. As I witnessed this it does pull on my heart strings as you just know that owl is hungry and gathering enough food to stay alive.  It was tough viewing this.

I also have had some lovely encounters with a pair of Barn Owls that have lived in this area for some time now. They appear when they want to and unlike some Barn Owls I photograph in Norfolk they are rarely seen in the day. They don’t have any routine here and this Barn Owl came out as the sun was setting and gave the whole area a lovely warming glow and feel, which is a welcome relief if you have been there since before dawn. You have to use fieldcraft skills and patience when photographing owls as they sometimes fly past you, and in this case straight at me.  Another amazing encounter as the sun was setting.  I am really lucky to see and witness this.

Their hearing is one of the best in the animal kingdom so great care when you start to shoot is needed otherwise they will bank off from where they hear that noise, in this case the camera shutter, so hold your nerve and wait and then press when you’re happy.  I’ve seen some wonderful behaviour in both the Short-eared owls and this pair of Barn Owls recently that I have tried to capture within these images.

After the success of my previous wildlife workshops with Calumet Photographic I have several others now lined up on their seminars page. Two dates for the amazing Spring/Summer Tides in Norfolk covering this event which has captivated me for many years and Sping Time on the Moors in the Peak District. For those that live in and around the capital, London, I will be doing a two day Beauty of Wildlife workshop at Calumets Drummond Street branch on April 14th and 15th. These workshops are open to all skill levels and backgrounds within wildlife photography.

The workshops are designed to give you the best opportunities to take the best images from your day in the field whatever nature throws up. To ensure that everyone’s needs are met the workshops are limited to 8 participants. You’ll be in good company, sharing your ideas, images and love of photography amongst the beauty of wildlife.

You’ll take your photography to the next level and in the process you’ll immerse yourself in your photography and I will be right there giving you a personal photography lesson. For more details click here to be taken to Calumets seminars page, then either click on the Drummond Street branch in London or the Manchester branch to see the full list of wildlife workshops that I am doing in conjunction Calumet Photographic.

Many thanks and I look forward to seeing you.

During the last several days I have been busy working in my office, the great outdoors, as I call it, amongst nature which is a place I find great peace in, capturing more magical moments. With a couple of one to ones in the Peak District, and a visit to the SWPP conference alongside PhotoTraining4U who had a stand there, my other free time has been put to good use watching and looking at the several subjects I am hoping to photograph this year.  It’s always enjoyable at the same time very time consuming setting up your own work from scratch.  But when it works and you see the subject(s) and capture them going about their lives it’s the best feeling you can possibly have as wildlife photographer.

I have been lucky enough over this time to have had some wonderful close encounters once again with different wildlife, the Short eared Owls are still very much around, hunting in the late afternoon sunlight.  They normally stay at sea level until around late February to early March, but with the warmer temperatures they may just disappear at anytime. They are also very nomadic out of the breeding season and once a food source has dried up in the area that they are staying in they just leave without warning and find another vole rich habitat in which to spend their winter months before returning to their spring breeding grounds.

A Kestrel hovering right above me in the first rays of dawn light was one such magical moment. I got into place just before dawn, hid myself away along a natural gully and waited, as the sun’s rays began to warm me I heard Magpies and Crows calling which can give you your first clue wildlife is around. In most cases they call when there’s a bird of prey around hoping their calls and mobbing behavior will somehow move that bird on. I watched this Kestrel, hunt, then back track on itself, covering the ground in a sweeping motion, doubling back on himself to cover every inch.

He carried on coming forward, searching in vain the grasses and reeds below him, those same reeds that were sheltering me. He then hovered right about me, and in the still of the morning I could just make out his faint wing beats as I watched and captured that moment with my camera. We made eye contact, watching each other which always has a deep impact on me, a powerful feeling I cannot explain. Those briefest of moments are captured here with these images shot with my 1.4 converter on. He stayed for around 15-20 seconds then went. He’d heard me and as I am writing this blog I can see him looking down at me, remembering that moment as though it was seconds ago, that’s the power of nature.

Barn Owls are without doubt though one if not my favourite UK birds, and I have enjoyed lovely moments too over the last several days with these beautiful owls. Only recently I have read with great interest a report on how they hunt. Having been fascinated with this bird from childhood I’ve learned a lot about them and their feather structures having taken them home with great interest having found them on the ground. The way in which they hunt or quarter and their heart shaped faces have always amazed me, the heart-shaped face works in a similar way to humans outer ear , collecting and directing sound toward the inner ears which helps this amazing hunter do what it does best, slightly glide over land hunting in almost pure silence.

The report has found that each of a Barn Owls ears is a slightly different size and shape, and one is higher on the bird’s head than the other. The owls can analyse the differences in the sound received by each ear to automatically calculate the exact position of that sound-source. Which means that they can detect prey below them in pure darkness and hunt with great effectiveness and stealth. In most parts Barn Owls hunt in the dark so visual information is not possible, so their hearing really is their lifeline. Flying in silence helps them listen for movement, prey that’s moving.

Most if not all of the owls plumage is covered in a dense covering of feathers, those feathers produce more lift with each beat due to their shape and design, having a high curvature. This design allows the air to pass through and they offer little turbulence, reducing friction noise between the feathers. The end result is one of the most prolific hunters within the natural world. And the report suggests in time the structure of the Barn Owls wing may provide a guide for the design of quieter and more efficient airfoils for the aviation industry. Proving yet again that so many designs of man-made products are derived from the wonderful world of Mother Nature.

Barn Owls are amazing and they are just so wonderful to watch and photograph, the following slide show shows images taken over the last three years, from several different sites, showing these amazing birds of prey hunting and flying on the wing, I hope you enjoy it as much as I did putting these images together.

Thank you to my two clients, Mike and John for your company on your one to ones within the beautiful Peak District. I will continue working on my subjects and fingers crossed I’ll have some wonderful images to post on my blog in the coming months.

I have officially joined PhotoTraining4U today as one of their masters, covering my passion of wildlife photography. The films I’ll be shooting over the next 12 months with the team will follow me as I work the land, from dawn to dusk. I will be showing members how I work, photographing wild animals within their habitat, showing their different behaviours and characters within photography. Going through the camera settings and what skills I employ myself in order to try and work with the wildlife I encounter out in the field.

Their website offers quality training for all photographers at an affordable price. The site is based on streaming video that capture photographers at work. PhotoTraining4U is aimed at both professional and amateur photographers alike and is structured into bite size learning films, over 800 at present, each around 20 minutes.

I have always loved helping people throughout my life and when I first started in wildlife photography this carried through. I know how hard it is to get help or advice when you are first beginning to take photos of wildlife – What works? What bag to buy? Is this lens any good? What camera settings? the list goes on. I like to show others the techniques that I have taught myself, what works and what doesn’t while on the ground, in the theatre of wildlife.

In this first film we go through where and how my love of wildlife, nature and photography began, forming the great passion I have for the natural world today which is the foundation to my work and images. The beauty of photographing wildlife is that it is always changing and evolving, encountering the unexpected and in this environment the photographer must learn to work with these changing environmental conditions and behaviours. The result cannot always be predicted, which makes fieldcraft one of the most important skills you have to learn to be fully connected to wildlife.

I always try where possible to ‘work the land’ as I put it, and stay away from staged or set up shots preferring the more natural image, as seen or shot when I encountered the subject, not changing an animal’s behaviour to obtain an image is so important to my work. You just never know what will turn up working in this manner, so being ready to capture what you see is key through composition, fieldcraft and the correct and simple camera settings.

I am not from the techie camera settings background, glued to the histogram strangled with numerous settings and different buttons and functions.  I show simply and real techniques in camera that work.  I know they work because they are what I use within my own work. An image should come from the heart via the human eye, the camera only captures what the person behind it sees most of the time. This interview in February’s Practical Photography illustrates perfectly how I work and where my true love and passion comes from for wildlife, in this case waders and spring tides in Norfolk. Click here to see the interview in PDF format or you can buy the magazine which is out now.

It’s important to me that in every image I take it represents an event that occurred in the wild, something that I witnessed and recorded with my camera. My skill lies in interpreting and presenting this in a way that invokes the beauty, mood and emotion of that special moment I captured.

The first interview on their site can be viewed here. If you’d like to join this site and see the amazing advice, videos, and help from many different masters not just myself then there is £100 pounds off the marked price of £229 per year.  Please quote JONES which is the discount code. This then will give full access to the site and all the help and advice. I will be filming several short films in the wild over the next 12 months, going through different advice and help that will offer you the best chances to capture those beautiful images of wildlife you want, at the same time learning more about the habitats and behaviours of the subjects your watching.

I really do hope the films and advice I will be offering here will be helpful, twinned with the help I have always given on my blog, facebook and twitter pages, which all form a strong base in which to show the beauty of wildlife and help and inspire you all into seeing just how beautiful wildlife is. Its been a great start to the year for myself, with a full page image in the BBC Wildlife magazine, a 6 page interview and images in Practical Photography, click here to see the article.

Thanks to all the people who have booked onto my 2012 photo tours and workshops. My India trip is now full, this will be the third year in a row now I’ve visited this magical place in search of one of the most beautiful animals on the planet, the Tiger. My Magical Mull June trip is full with a few places left for my October trip. I do have places left for my Madagascar trip which you can view here, Masia Mara trip, view the itinerary here and a few others. I’m really looking forward to 2012 and all the trips, plans and filming I have got in store. I hope you all make the best of your time within nature and capture those wonderful moments you witness yourselves, good luck.

And just before I go wanted to say there were some great winning images in the WWT photo comp for autumn, I had two category’s to judge which was nice with a very good standard all round so well done to all that entered. I have been asked back to judge the remaining 3 rounds where the overall winner will be announced later in the year, so good luck to all those that enter.

Winter announced its arrival recently bringing to an end one of the warmest autumns since records began with gales, icy winds and snow in parts of the UK. While the seasons change from autumn into winter there seems to have been an invasion of Short-eared Owls to various areas around the UK. These birds come down from the moorland and higher ground during our winter months to spend their time at sea level before departing back to the higher breeding grounds come February and March. The numbers of this most striking of owls has been up on last years and at this rate looks set to match the brilliant numbers of 2009.

Many of these birds are being seen across the whole country at present indicating a fantastic year for their main food source of voles and small rodents. One of the many things that is good about these beautiful birds is that they hunt in mainly daylight, particularly from mid-afternoon onwards and they can stay in an area through the winter months providing the voles and other small rodents in which they feed mainly on remain at a good level.

This year has been a bumper year for voles with the warming temperatures making it ideal conditions for these small mammals to breed. Birds are coming from the continent also to take advantage of the plentiful food source experts have recorded. Over the last couple of weeks I have visited several places of which I have photographed these owls in the past and as mentioned 2009 for me was one of the best years, but this year may just beat that as numbers and sightings continue to rise each week.

Bright yellow eyes that look at first glance as though they are frowning if they look at your directly.  With their pale faces acting to enhance their most striking of features, those bright eyes. Hidden away I watch and scan the marshland and rough grazing grounds that these owls love to feed and live on and being a ground dwelling bird they blend in so well with their plumage colours.

Their feathers a mixture of bold bands and rings forming a wonderful pattern that renders them invisible once they are on the ground. Sometimes you hear them before you see them, a loud short “bark” like call echoes across the area. They are normally late risers, starting to hunt from lunchtime onwards but I have noticed after a period of wet weather they can come out from first light, as they need to feed and recover lost time and build up those supplies of food that will see them through the cold weather.

Once in the air you witness their broad, stiff wings flap with great purpose almost in a slow motion fashion, covering the ground well with each rise and fall of their wing beats. Once they leave the sky and come down low you almost lose them among the vegetation colours, until you see their white under wings as they pass by. The distinctive black bands and bold barred tail standing proudly as they glide in between their wing beats.

I have had mixed fortune with the weather so far, after one of the mildest autumns since records begin the weather has changed getting colder with windy and wet weather a lot of time, with the odd break in the cloud sometimes, warming the areas in which these owls are at present. In weather that all owls dislike and choose not to hunt in, survival is by feeding on their larder of food which they stock pile when the goings good and keeps they going until hopefully the weather breaks. If the weather doesn’t change I have known Short-eared Owls to leave an area, vanish to warmer climets way before the late February get away, back to their breeding grounds.

Their bright yellow eyes are surrounded by smudged black makeup, set in a large round, disc like shaped face which is stunning to the eye as they glare at you before flying past. They always seem so startled by the world around them as I watch them hunt or perhaps that’s defiance, but they are full of character and self belief and watching them hunting and comb an area for prey is a magical experience to witness.

They fly warily around each other, closing and drifting apart, rising and falling, slowly spiraling in wide circles, as they drift across the marshland. Notoriously during the breeding seasons they are very territorial and fiercely defensive of their area. But during the winter months as they glide around our countryside almost in a nomadic manner are very tolerant of each other.

I am hoping the cold weather of the last two winters doesn’t happen this year as along with the Barn Owl many Short eared Owls died due to being unable to feed and break through the frozen ground that at times was covered in snow for days even weeks at a time making the whole process of finding food a real contest of pure survival.

I will be concentrating my efforts in the sites I have known for many years over the next several months and I hope to capture a few more images and spend some time filming and watching these beautiful owls. I will update my blog on how I get on during that time and fingers crossed the weather doesn’t betray them, forcing them to move on to other areas.

WWT Photography Competition 2011-2012

I am delighted to have been asked for a second year to become one of the regional judges in this brilliant photography competition. Over the last week I have judged two categories which I was assigned from the Martin Mere wetland centre. Choosing my selection from the autumn heat which then goes onto the final. When the competition closes on 31 August 2012 all regional heat winners will go through to the grand national final to be held in autumn 2012. Then the Portfolio Photographer will be chosen and awarded the grand prize of a trip to Antarctica.

The winter heat is now open until the 29^th February 2012 so click on the following link for more information and details of how to enter this brilliant competition. I visit Martin Mere quite a lot, and during the winter months they have the beautiful Whooper and Bewick Swans as visitors, as they spend their winter months with us before heading back north to their summer breeding grounds. The image above was taken at Martin Mere showing three Whooper Swans flying in against the cold winter sky on a frosty day.The very best of  luck to everyone that enters.

Over the last week I have revisited my Red Squirrel site in the North west coastal region of the UK. I managed to capture these most adorable mammals in better light, having got use to their behaviour a little which in turn makes for a better image. This whole area is managed by the wildlife trust who keep an eye on the population of Red Squirrels that were almost wiped out 3 years ago. Numbers are slowly increasing with the hard work and dedication of the local trust and volunteers. Every living animal for me has their own spirit, their own character and I really try to capture that within my work. Unplanned, unscripted in its truest form, watching wildlife and capturing those briefest of moments when you witness their unique behaviour.  This is priceless.

The story with these guys is that they are really shy here among this pine forest habitat and not as bold as their grey counterparts, this though is the red’s undoing as the introduced greys are a more formidable forager of food and adapt to their environment far easier than the indigenous reds. Also the pox virus brought to these shores by the greys is wiping these little cute fellows out and experts warn that in as little as 20 years Red Squirrels could become extinct which would be a very sad day indeed.

A little supplementary food is put out by the trust but mostly these red’s forage for food on the forest floors, your first indication they are around is the sudden claw sounds as they chase each other around the tree trunks. Once on the ground though they are quick, real quick, darting all over the place and  you have to follow and focus almost at the same time which was a little challenging to say the least as you just don’t know where they will turn up.

I love to just watch wildlife, build a picture of what’s happening as all living animals have routines and patterns they stick to, creatures of habit, the way they move, walk or feed and congregate with others etc. So by watching these squirrels’ patterns when ascending from the trees to the forest floor to feed I learned a great deal from them. I’d focus in one given area keeping down on my own movements and noise that may just spook these fellows enough for them to disappear which is never my intention when working in the field with any living creature.

Once I’d heard the rustle of leaves that littered the ground I stayed still and lay flat on the ground to get that important and intermit view point with them.  No rain had fallen so they were dry and light which worked well for my hearing as you’d hear them coming, but bad for the squirrels as each movement from them was an open invitation to view them straight away as the rustle give their position away instantly.  I became aware the squirrels knew this and after a few paces they seemed to momentarily pause, dead still, then move again.

At first I tried to follow them through my viewfinder but found that they were just too quick and expert at giving me the brush off. Then I changed tact, focused in on an area I kept seeing them come to, it seemed a cross way veering off to many different paths they had to various areas where they stashed their bounty for another day. I also saw them rubbing their bodies along the fallen log in this area which the trust had left to rot and give back its riches to the soil.

The problem was if I moved my lens or camera as they approached they’d go before I could say hello, so I listened, looked left and right once the first rustle was picked up by myself. A light and not as heavy noise meant they were some distance away, louder and firmly noises meant they were close as my eye was pinned to my view finder with no time to swing a long lens around. I put all my eggs in one basket as they say and I had several wonderful close experiences with these beautiful mammals that crossed over an area to my front where they were picking and feeding on fungi and other food bits in and around this old fallen tree that was slowly being claimed back by nature.

I pre focused in this area and when he came close, I slowly used the large manual focus ring on my lens, which gave away no noise, shooting in quiet mode in camera, this reduces the noise as much as possible each time the shutter is pressed. Slowly I began, 1 shot, 2 shot, pause, as I watched for an indication he’s disturbed by me, if so I stop, if he wasn’t disturbed I continue with the same slow pace.  This approach works for me always remembering that these are wild animals with a healthy dislike for man. You have to work with them and in their environment and as a wildlife photographer I have a duty of care to the subject not to scare him into next week just for an image.

He routed around and fed on whatever he could find then went as quick as he’d come, it was wonderful to see these adorable animals so close and trusting towards me,  where he let me into his life briefly and where I was able to capture his spirit and sole as a living creature with these images. I mention this such alot on my blog but at a time when wildlife is really under pressure you have to put the welfare of the subject first before any photograph is taken.

Due care and thought for the animals well being should be one of if not the most important consideration before you head out anywhere to photograph whichever subject you are taking. With camera equipment and the need to capture images of wildlife there comes a great responsibility with it, so please be mindful of this when trying to get an image of a wild animal and watch for signs of stress and disturbance.  All wild animals have an inherent fear of man, place yourself in their circle of fear and you will be adding to that animals stress.

In this month’s Birdwatching magazine one of my wader images can been seen in their December edition. The image shows thousands of waders taking off while others waiting on the ground before joining them taken on a Spring tide in Norfolk. A bigger version can be seen on the 500px site by clicking on this link. It’s a wonderful place to display your images and somewhere I’d recommend having just joined.

The Spring tides for this year have now finished after this weekends brilliant showing, the next ones I have free are from February 2012 onwards so if you wish to know more information about these Spring tide days I run or to book one then just send me an email here The image above was taken on one of the last few Spring tides this weekend with clients, showing a Sanderling feeding with the tide coming in, replenishing the beach he was feeding on. Thank you to all those who have booked onto my Spring tide days and I look forward to the next ones in 2012.

And just a quick reminder Practical Photography magazine will be displaying a portfolio of my Spring tide images in their issue out on the 29th December 2011 so look out for that, many thanks.

In October I ran my “Beauty of Wildlife” workshop in conjunction with Calumet Photographic, one of the leading photographic suppliers in the UK. It was a great success with a full contingent of clients who really enjoyed the two days. Two more of these workshops are now available one in late January 2012 and one in March 2012 with more workshops planned  with this leading camera supplier company throughout the year and at diffent places around the UK.

The Autumn issue of Calumet Photographic magazine arrived today and there’s a nice little piece in their about my workshop, info and dates etc, thank you to the guys that attended and I hope you are all using what I showed you still

The first day will be based at their Manchester branch, where we I will go through camera settings, compositions, setting up of each person’s camera and sharing/passing on my knowledge in order to improve individuals photography. I will also show you some slideshows, touching on the various different skills needed for wildlife photography, use of light, what to look out for, fieldcraft and lots more.

Tea and Coffee will be provided during the day and I’ll answer any questions in regard to wildlife photography that you may have in order to improve or move along your own existing skill level. I demonstrate to everyone that attends my one to ones and workshops what works and cut through all the ‘minefield’ of what’s best and what should I use, which mode etc that can drag people down.

I will replace all of that with a usable workflow that works on the ground, the same as I use, with no secrets, no hidden settings. Once clients have seen this I feel it gives them a more relaxed approach to their own work, knowing full well they weren’t really doing a lot wrong in the first place. I am self taught with over 30 years of knowledge of wildlife, which is the real key to wildlife photography.

The second day, unlike the first which will be classroom based will be in the beautiful Peak District, as a wildlife photographer the great outdoors is my office, a place in which I capture the beautiful images I am blessed in seeing. The beauty of photographing wildlife is that it is always changing and evolving, encountering the unexpected. In this environment the photographer must learn to work with these changing environmental conditions and behaviours, and the result cannot always be predicted.

My images represent an event that occurred in the wild,something that I witnessed and recorded with my camera. Learning to get close to wildlife without disturbing the life of the animal is the key to my work and this approach enables me to get close enough to capture the animal’s beauty and behaviour which both feature strongly in my style of photography, showing a wild animal within their natural habitat being the foundation to my work today.

Fieldcraft is the most important tool in a wildlife photographer’s box I believe, because if the animal is not use to human contact, isn’t tame or use to you putting food out, then they will be very difficult to get close to in the absence of hides. Learning fieldcraft skills will improve your photography, as a subject going about its life, free from human contact always makes for the best photographs.

I feel you cannot learn real and true fieldcraft from anything other than a wild animal, in the wild. I have never worked with captive or tame animals as their behaviour is too contrived for me and is as a result of contact with man. I will show you simple and key elements to fieldcraft on the second day where you’ll greatly benefit from the wonderful wildness that is the moors of the Peak District and its wildlife.

Many clients who attend my workshops all go away with a better understanding of photographing wildlife, where it’s not about what you have but how to best use your equipment to obtain those lovely images you see with your eyes. Things change very quickly in the wild and I will give you ideas and a workflow that empowers you to capture and improve your own work. Seeing an image takes time, this skill can be learned by watching your subject and understanding its behaviour.

We will start early to capture the beautiful wildlife as the sun rises against the backdrop of the Peak District which will make for some amazing images. During our day in the Peak District we will be concentrating our efforts on Red Grouse among the autumn/winter landscapes and Mountain Hares, the only place outside of Scotland where there is a healthy population of these mammals.

We will also have the opportunity to see Short Eared Owls and many other birds which stay in this area all year, and don’t migrant like alot of other birds. You will need to provide your own photographic equipment
or alternatively you can hire equipment from Calumet Photographic, Manchester and we will meet in Buxton train station car park. It will be a great day, where you will learn alot more about the ‘wild’ in wildlife photography, capturing images that will be around you, gaining subject awareness which again is key to capturing a wild animal’s character and behaviour.

So if you would like to book onto this wildlife workshop then please click on this link, which will take you to Calumets website. If you would like to hire any camera equipment for the day of which I will help and go through with you on the first day then again just ask at your time of booking. I look forward to seeing you in 2012 and should you have any questions or queries don’t hesitate to contact myself or Calumet Photographic Manchester.