Entries Tagged ‘Wildlife Photography’:

Wildlife around the globe is in trouble, some species are on the brink of extinction and many others are threatened daily with habitat destruction and loss. The most endangered ones would have been long gone had it not been for a helping hand by humans.  Consigned to the history books with a stuffed version in museums to show us and remind us of what we lost. Without the hard work by the many wonderful people involved in helping to keep so many different species alive today, the worlds wildlife would be in an even worse mess than it is now.

Red Squirrels could be extinct in Britain within 20 years according to a recent review of some of the UK’s mammals,Scotish wildcats, hedgehogs and mountain hares are also at risk the report suggests. That report by Oxford University’s wildlife conservation research unit warns that mammals are being hard hit by intensification of farming along with other human activity. Damage and the loss of habitat is affecting not just the wildlife but also the rural economy because it creates a countryside devoid of wildlife, discouraging walkers, birdwatchers and many others whose money should be going into this economy. One of the biggest examples of this is that of the Red Squirrel, which was widespread throughout the UK until the introduction of the Grey Squirrel from America in the 1850’s.

This visitor to our shores is not only a more effective forger of food than the red but it brings with it the lethal disease called squirrel pox virus. The greys have colonised most of the UK now with the reds only really hanging on in Scotland but even there the virus-infected greys are moving into those areas. There are a few places south of the border of Scotland where you may see these adorable mammals, where red squirrel colonies are doing better thanks to a helping hand from wildlife trusts, volunteers and others concerned with the species not completely dying out from our shores as predicted by this report in around 20 years time which makes for shocking reading.

One place in England where numbers seem to be on the up is Formby, managed by the National Trust. Formby is well known as a special place to see red squirrels and numbers have recovered well following the deadly outbreak of squirrel pox virus in 2008. My last visit to this place was on the 18th December 2008, I remember it well as I had just taken delivery of my prime lens after using the older version of the Sigma 50-500mm lens. I wanted to put the lens through its places and chose Formby.

I decided to visit Formby hoping to see and photograph these cute and adorable mammals. What I didn’t know was that Formby had just recorded their worst year, with almost 80% of the reds having caught this dreaded pox and dying. When I got there I walked around the woodland walks most of the day and never saw one squirrel all day which was really odd as the place had been recommend to me and all of the research I’d done online suggested the place was full of red squirrels. Later that day I saw a warden and he explained to me the pox disease had almost wiped out the whole red squirrel population there and you would be very lucky to see one today which was really bad to hear.

I’d not been back since that day in 2008, until this week after researching some facts and figures and it seems that things are improving through the hard work and helping hand from the wildlife trust, and many other staff involved in the research and help to save these reds. The signs are that 2011 has been a good breeding year and Formby anticipate the results of the autumn monitoring will show that red squirrel population has recovered to over 60% of the pre squirrel pox level which is amazing and a great success story.

A few squirrel feeders were introduced in one particular place within Formby to give visitors a better chance of getting close views of red squirrels. They have been reintroducing in a controlled way so that the staff there can monitor the situation and avoid the reds becoming too dependent on supplementary food, maintaining their wild ways and feeding patterns. Many of the smaller woodland birds there also benefit from the feeders with the onset of the colder weather while larger birds like pigeons and crows are excluded by the design of the feeders.

During my time there this week I found the squirrels to be extremely shy, they would come down from the tops of the trees, their crawls scratching on the bark letting you know they were on the move. They’d come to the feeders and they’d grab something, run down the tree trunk and off to find a quiet place in which to bury their bounty for another day. Once the food had been consumed in the few feeders they’d concentrate their efforts on picking up the left over’s which had fallen from those feeders and littered the forest floor.

In a flash one or more would come, in a ‘grab and go’ style and vanish off into the distance to again bury their catch and return. Often they would chase each other around making for a really comical spectacle, once that stopped they’d get on with the stashing of food.

I used the natural light that was piecing through the tree canopy and often the squirrels would appear out of the dark areas and then disappear back into the shadows the next, it created a lovely effect though where I tried using the natural trees and branches they were using to compose my images on and around. Most of the time though the squirrels were on the forest floor making for that very intermit view point where you are level with the subjects eyes. I had a wonderful time and it was great to see these fellows doing so well with all the work and care in looking after their welfare by the trust.

If you’re planning a visit to Formby you have a much better chance of seeing a red squirrels on the woodland trails that form part of this area. The trust asks people to stay on these paths, don’t via off them or climb over the fences and don’t bring you own food as the wardens put a little bit of food out for them to go along with their natural diet. The reds spend much time feeding on natural foods like pine cones which are much better for them, and please respect these animals by not placing them under any stress in order for you to get an image, sit, wait and watch and you’ll get to see their patterns and bombing raids as I call them, ‘grab and go’ moves to feed then disappear back into the pine woodlands.

The threat of further squirrel pox outbreaks remains and squirrel workers are actively involved with residents in the local area in an attempt to contain outbreaks of the disease should it reoccur. Anyone seeing a grey squirrel or a sick red squirrel in the Formby area should report it to the National Trust rangers there. This guidance is laid down but the wildlife trust to protect these at risk animals. I will be going back to carry on capturing these adorable mammals and will update my blog to how they are doing in the future.

Several of my wader images from the amazing springtides in Norfolk made the papers this week, showing the beauty of this event. Click here to see The Mail online and here for the Daily Telegraph image of the day. And I had the image below printed in Wednesdays paper where it covered two pages and looked stunning with the details and colours of thousands of waders taking off.

I have put together some images that show the true beauty of this amazing event that happens in Norfolk throughout the year in this slideshow below.

Nature offers you in most cases just the briefest of encounters in which to witness a moment you see with your eyes and if you are lucky enough with your camera, so that you can show others that special encounter you shared with nature. Nowhere is this more apparent than the beautiful island of Mull. The island lies on the west coast of Scotland and has a breathtaking coastline of 300 miles. The climate is a mixture of snow, rain and sunshine, and from the moment you step onto this beautiful island the wildlife is everywhere, and the scenery is stunning. With Mull’s famous own micro-climate the weather changes from clear skies to angry skies in a moment, pouring rain gives into calm, windless conditions, light you dream of as a photographer is replaced with almost zero visibility.

Having just returned from 4 days there,  I again feel blessed with some of the close encounters I witnessed.  A lot of the time the clouds afforded me no or little light, then in an instant rays of sunlight would pierce through momentarily lighting up this amazing landscape, giving the land beneath the clouds life.

The rain at times was heavy giving you poor visibility, so we just impravised and used our vehicle as a hide in order to still capture the wildlife that was around.  Because of the vast size of Mull and the lochs, sometimes the best option for seeing the wildlife here is to drive around on the off chance you may see a silhouette of an Otter feeding or a certain bird feeding and so fourth.

I do love to work and stay in the same area.  Sitting in a place that you become so tuned into, where every plop, every noise, every dive from a bird you hear, you immediately look with great excitement to see what made that noise.  This for me is one of the best things about wildlife photography, the peacefulness of waiting, the minutes turning into hours, all the time waiting for just that briefest of encounters in which you get a view into a wild animals world, where the camera enables you to capture what you saw, capturing the beauty of the subject, preserving that moment forever.

During those 4 days the weather did break occasionally, affording me a little more light which in turn gave me more shutter speed should the wildlife show, and in a lot of cases the wildlife showed up during those briefest of spells to feed and clean, and in some cases have a nosy at me clicking away from the mobile hide in which the vehicle had turned into.

The camera settings and key drills I go through during those quiet times really pay off when nature spontaneously turns up, with an almost automatic routine of checking the shutter speed, iso levels and moving the focus spot etc.  The hard part is to then second guess where your subject will go, as they will have an acute fear of man, giving you only seconds to take the shot.

There were some great encounters on the island, some close, others at a distance, but never the less still wonderful to witness. During my stay it was a case of juggling your time along with the weather. Once the cloud had broken and warmed the landscape the island was awash with colours and its beauty came alive making it a pure joy just watching for Otters, Eagles and the many other species of wildlife that live on Mull. One evening a female Hen Harrier chose to brave the weather and started hunting over the marshland only to disappear as quickly as she’d showed up.

My knowledge of Mull is something I rely on most of the time, the places I’ve found or discovered over many hours and days during my 2-3 trips to Mull each year.But often or not wildlife can pop up at anytime and those places I’ve worked at before were a little tougher in the weather during my time there.  While waiting for your chosen subject or wildlife to show there is always a shot to be taken as I say. This arty,slow shutter speed image focusing at the heart of a pine forest, where the autumn leaves just offer a splash of colour to the image.

During high tides and when they start to retreat is a good time to watch for Otters, where in most cases unlike their counterparts they live in the UK’s rivers, these European Otters can been seen during day light hours, hunting, sleeping and generally lazing around. As with all wildlife though, great care must always be exercised when approaching wildlife in order to capture that briefest of encounter.  I prefer to get into place under the cover of darkness and wait, on the off chance that my fieldcraft skills and knowledge of a certain areas pay off and the subject may just give me that brief glimpse into their life.

I’d had a fleeting encounter of a female Otter entering the water not far from her holt and as the clouds broke I chose to spend sometime there hoping she’d come back, but she didn’t.  The tide times on Mull were early in the morning, so on the next day, after that brief encounter captured above, I returned to the same place where I’ve had some good luck during my past visits. Although nothing is ever guaranteed with wildlife, and she nor her young showed the following day, and with the weather changing from overcast to rainfall I was confined to the vehicle for the rest of that day, searching in vain for Otters and other wildlife.

And it always seems customary for me while waiting for a subject to turn up,  a Stonechat always turns up in a lot of cases, gaining confidence and coming closer, in an almost curious manner to see what I am, which always makes me laugh.  They are a stunning looking bird and very inquisitive in nature, with care and respect, and no fast movements from you, they’ll come quite close to you, sussing you out, whether you are friendly or not, or maybe this is just how I perceive this during the long hours of waiting, who knows.

I was hoping to see some if not all of the deer rut on Mull, but I feel I was just a little late this year. I never witnessed any stags at all, which would suggest that they were all off feeding and building up fat reserves in order to survive the impending cold weather, as during the rut stags dont feed, instead they protect their ladies and territory from would be opportunists. After the physicality of the rut they go off to feed, and as there was no sign of any majestic stags roaming around, I was just to late.

I did have some nice encounters with female Red Deers though and the shot of the trip were these four females all looking at me.  I’ve called the image “game over” as literally it was game over as they’d spotted me and then moved but not before I got a couple of shots.  the shot below being the better of those, capturing that moment and briefest of encounters when they saw me, heard me and knew I was there, nice try.

Amazing to see them in this beautiful sighting of Mull, so close and in stunning condition.  I managed a few other sightings most of which were taken in dense woodlands where they love to hide, making it a harder prospect to photograph. This image below was taken in the early morning, showing such habitat.  Soon after she disappeared, as though she was never there.

On the last day I had one last steady drive around the island.  And among the choppy waters on that mornings hide tide was a dog Otter feeding and working the shore.  I left the vehicle and tried to position myself where I thought the Otter would come past. I managed to capture just one image from the most briefest of encounters on that wet and faithful morning.  The Otter was working the coastline looking for crabs and other food items.

Here he took a short cut over the coastal rocks instead of swimming around.  I just got him with this image, a blink of the eye and he was gone. Some encounters though are too special and live on in your heart and this was one, but lucky for me I had just one image to remind me of the closest encounter with a wild Otter that I have ever had in my life, amazing.

I stayed, hoping he’d reappear but again it wasn’t meant to be so I moved on to another Otter spot on the island. Whenever home time is looming or your packing up I find the subjects appear from nowhere and in an act of almost defiance they teese you knowing your time is almost up. After a short drive south, there was another dog Otter, and he was cleaning and grooming himself. Again only the briefest of encounters that I captured, but another wonderful moment in the life of a wild Otter.

After lunch on the last day I saw a small bird feeding among the freshwater streams entering the loch, it was one of my favourite birds, the Dipper. It felt good to see them here and very different among the coastal waters of Mull.  The light had gone at the time but you can just see the little fellow below on the sea edge.

During my time on Mull the weather was testing at times, but it also offered a great deal in terms of atmosphere, with the sun constantly battling to break through the dense clouds to warm the land with its rays. In the distance a large bird was sitting on some rocks, appearing to be looking for prey, the wind was strong so the bird seemed happy just to try and sit out the windy weather that would zap his energy should he take flight, it was a beautiful adult Buzzard in amazing conditon.

Slow movements in getting my lens up and out of the window, placing the beanbag down so slowly you didn’t want to look up just in case the bird had flown, in this case he hadn’t.  One shot, two shots, relax and watch, I was saying to myself in my head, as Buzzards are very very shy in nature and one move to many and you’ll never see them again.

He took off, turned around and faced the wind, while jostling the strong winds, all the time looking below himself for food. The engine had been turned off at the first instance, the vehicle was on a slight bank which allowed the handbrake to be taken off and roll forward hoping to keep up with the Buzzard as he went from post to post looking for food.

He heard my camera, as captured above.  It killed me to stop but I did for a few seconds hoping he’d settle and not be disturbed by my presence that was my vehicle with me shooting from the window.  He carried on looking as the vehicle slowly rolled forward, enough to capture him full frame in all his glory with the image below. I couldn’t believe that I was capturing such a jumpy bird, with a clear background, fence line post and looking out to sea. He stayed for a minute or so before flying off, carried along on the wind and out of sight.

Soon after it was time for home and the long drive south once on the mainland. I am always amazed at the wildlife on Mull, the peace, the tranquilness of this place, where just sitting and watching wildlife live their lives around you is truly a wonderful thing to witness and be part of while on this island. Whether it rains or is baked in sunshine the wildlife always gives you the briefest of encounters into their lives, and if you capture them with your camera then thats great, if not they’ll always be in your heart and mind I say.

I run two trips to Mull each year, one in June and the other in October, our base will be the picturesque village of Tobermory, with its brightly painted buildings, overlooking the harbour of Tobermory and facing out to Calve Island and the sound of Mull. We stay in a great hotel overlooking the bay and I have 2 places left on each trip for next year so if you would like more information on them please click here to see my “Magic Of Mull” photo trip.

And before I go, I’m a guest expert in December’s issue of Practical Photography on sale now, a great magazine, full of advice, tips and gear reviews each month. One of my Barn Owl shots along with the tips and how I got the shot are included in this issue, carrying on my passion for showing how I work in the field at the same time helping others to take better photos.

Inspiration can come in many forms and from many different avenues I believe, personally I get inspired by many different things, most of which are visual, where words dont need to be spoken, let the image speak for you and inspire those to see the wonderful world of wildlife and the subjects it supports. Over the last two weeks I have been working on my own projects at the same time working with clients in improving their own photography while seeing and witnessing that inspiration, which for me is nature.  Watching nature and capturing her beauty is a wonderful thing where I am at total peace,surrounded by her beauty.

Over the weekend I visited London for the annual WildPhotos 2011, a selection of the best photographers go through their work, how they work and tips etc which I find very inspiring and during the 3 years I have visited this event it never fails to ignite yet more passion in me. This year I had a nice surprise as the editor of the BBC Wildlife magazine, Sophie Stafford used one of my images, kissing Puffins so show the audience what the magazine look for when it comes to images submitted and different looks etc.

The image captures two Puffins kissing each other and going through their bonding process with the onset of the breeding season ahead of them. Nice moment as I sat there and looked up at this Puffin image, remembering the moment I captured them like it was yesterday. BBC wildlife magazine chose my image “Kissing Puffin’s for a full page spread in their June issue.

Last week I visited several different areas around the UK to photograph the annual deer rut, this year with the added warm temperatures and the warmest October since records begin it seems to have never really reached its peak, instead just slowly building with action and deer still calling and claiming their females as I write this.

I witnessed fighting, gentle young Fallow Deer learning their skills from their mums within the different habitats I visited from open grasslands to dense woodland that offered the deer a safe place to hide, making the process of finding them just that bit harder.

I witnessed some beautiful moments along with the males fighting for control over their females. I’d got into place just before dawn at all the places I visited, some I got really lucky at others the deer failed to show. One morning I was feet away from two fallow Deer’s stags fighting, t he noise of that smashing in to each other could be heard from far and wide such was the brute force. Then on the other hand I saw a young Fallow Deer following her mum through the thick cover only to become separated and disoriented.

The image below captures that special moment , soon after she caught up with her mum and everything was fine again.

Nature is wonderful to be around and spend time alongside where I am always inspired everytime. The places I go and also run my trips and workshops too always come up with something different and I am constantly learning more and more about the subjects or the environments and animal behaviours.

After my trip to London on Saturday just gone I had almost back to back one to ones in the Peak District, on my Mountain Hares workshop and then mostly in Norfolk for Barn Owls and two Spring tide days with the predicted high tides. Living out of my bag and just having time to charge my cameras batteries along with my own has been the routine but I love every minute. Helping clients take better photographs and learning more about their own equipment is something I pride myself on during the time spent with clients.

Over the three days we had a mixture of weather, sunshine, rain but on the hold the weather was kind to all my clients which is something I always wish for. As the dawn broke each morning the thousands of geese would travel in from their overnight coastal roost site and head inland to feed during the day light hours, before heading back out just before dusk.  The skies where full of calls,shapes,formations over our heads and it was amazing to witness. The dawn light was just amazing, with the cloud formations creating a very beautiful feel to those mornings with their shapes and colours.

The light was just stunning as the sky filled with geese and also waders during these spring tide days. Norfolk is famous for its winter flocks of geese, wildfowl and waders who begin to gather here to make their home during our winter months, amazing spring tides with thousands of Waders being pushed up the beach as the tide works its way in covering the mud and sand flats, submerging the whole estuary.

Once the majority of these areas have been consumed by the sea the birds are forced into the ‘Pits’ which are behind the beach where the RSPB have built a number of hides from which you can watch this amazing spectacle. Where large flocks of Knot, Dunlin, and Oystercatchers come into roost escaping the tide, forming great masses of birds as they all move and sleep in a synchronized manner.

The birds almost fly as one, one minute dark the next flashing silvery-white as they all turn one way their dark backs are facing you, then their pale undersides, in a show of coordination that is second to none, all without a signal or mishap. I have never seen any two birds ever make contact in all the years I’ve witnessed this beautiful site.

The only time you see them make any form of contact is on the ground when they hustle together shoulder to shoulder. The return to the mudflats once the tide starts to retreat is a less coordinated affair, but the smaller flocks still reward you with some fine performances. It can be a really quiet place most of the time, with the Waders feeding on the mudflats some distance away on the estuary, but on these high tides the place is awoken with a bang, bursting to life, and for me the place never disappoints, with so much going on it truly is one of nature’s wonders.

Once the sea starts to retreat it exposes the vast mudflats and this is when all the waders return back to feed on the rich food sources of the mudflats that make up this area of Norfolk.

On the last morning though the weather wasn’t the best,with overcast conditions, I took a few hi-key images that morning, capturing a different feel within the images. I covered this technique on my blog under photography tips sometime ago now, click here to read it.

After our time on the beach we leave and head around the many places I know around this stretch of North Norfolk’s coastline.  From my first visit on the Sunday I had witnessed some amazing behaviour while watching some Black Tailed Godwits. From a hide we watched as different adults would be feeding one minute then the next warn each other off, or away from the food source they were feeding on. Most went their own ways and there was peace, but a few times that peace was shattered with some of the most violent behaviour I have seen in birds.

Each bird would try to drown the other, forcing their heads under the water, the bird that submitted would then escape as quickly as possible. It was difficult to witness as we all watched on the three days we were there, with each client being amazed at this action at the same time a little taken aback such was the level of aggression.

The following series of images will hopefully show you what happened during these hard to watch moments. Nature is so beautiful, but at times so cruel too, where only the strong survive, this was a perfect example.

Truly breathtaking behaviour to see and capture this was, the bird seen being moved off was unhurt be the ordeal of being drown so everything was ok in the end. On these spring tide or Norfolk days I run we always finish the days at one of the Barn owls sites I know there hoping to capture this most beautiful on birds at work, hunting.  The owls showed up for all my clients which was nice as the sun set and once in the morning light,showing just what a master they are at hunting and flying silently.

Know matter how many times I visit an area I never fail to be inspired but something I witness, there’s always a different take on what I may have already witness. Many different images to be taken because you just do not know whats around the corner when you photography wild animals, this has been and always will be my greatest enjoyment while observing nature.

A big thanks you to all my clients over the last week, thank you for your company and I wish you all the best within your own wildlife photography.

I have just returned from the Welsh capital, Cardiff after two wonderful days filming for the online training company PhotoTraining4U. The site offers quality training for all photographers at an affordable price. The site is based on streaming video that capture photographers at work. PhotoTraining4U is aimed at both professional and amateur photographers alike and is structured into bite size learning films, over 800 at present, each around 20 minutes.

On the first day we went through where and how my love of wildlife, nature and photography began, forming the great passion I have for the natural world today which is the foundation to my work and images. The second day I was out among nature, my office as I call it, watching and looking at the beauty of nature all around. The beauty of photographing wildlife is that it is always changing and evolving, encountering the unexpected and in this environment the photographer must learn to work with these changing environmental conditions and behaviours.  The result cannot always be predicted, which makes fieldcraft one of the most important skills you have to learn to be fully connected to wildlife.

I always try where possible to work the land as I put it, and stay away from staged or set up shots where bait is placed out while you wait, preferring the more natural image, as seen or shot when I encountered the subject, not changing an animal’s behaviour to obtain an image. You just never know what will turn up working in this manner, so being ready to capture what you see is key through composition, fieldcraft and the correct camera settings.

I have always loved helping people and when I first started in wildlife photography this carried through. I know how hard it is to get help or advice when you are first beginning to take photos of wildlife, what works?  What bag to buy?  Is this lens any good? What camera settings? the list goes on.  Emailing professional wildlife photographers asking for help or advice most of which never return your email,  so because of this I like to show others the techniques I have taught myself, what works and what doesn’t while on the ground, in the theatre of wildlife.

During the first day Mark Cleghorn, Director and founder of PhotoTraining4U went through several interviews with me on film, going back to the beginning, where it all started which was fun.  As I was talking I was reliving some of the funny moments I could recall, the tiny things that made all the difference, which all set me onto the path today.  We went through some of my images where I explained the motivation behind each shot, how and why I captured the images on show while being filmed, which was very new to me as I am normally behind the camera a lot of the time, when not working with clients on various workshops and trips.

That evening we went to a local marshland area not far from Cardiff town centre, this for me was perfect to go through some basics within wildlife photography.  I had not visited this area before and upon arriving to a new site I wanted to demonstrate that you can always witness something within wildlife.  A saying I have said from the beginning of my own work is that there is always an image to be taken no matter where you are.

When I arrive somewhere new I always look for the light and get a feel of the place, where the wildlife is or may turn up, direction of light, possible different images and so on, I find my brain is almost scanning around and presenting me with choices in an almost automatic way, if that makes sense?  While the photography was going on, Jay the cameramen was filming and I was explaining what I was doing and looking for, giving useful tips and advice. Both Mark and Jay where brilliant in helping me to relax in front of camera and I think my sheer passion and true love of wildlife carried me through.

That evening we all went for a lovely meal and I got to see the passion and resolve behind the company and I was very impressed with all of the team and their future plans. Then it was back to my hotel in readiness for the early start and the amazing light I was hoping for.  Mark had found a place not to far again from the town centre which was surrounding by housing, a little oasis within the urban environment which supports many different species of wildlife.

We wanted to show and demonstrate that when you are just starting out or have started out that wildlife is everywhere, lakes and marshland/grasslands are everywhere around the UK, ‘green lungs’ as I have called them in an early blog posted a while back now. These areas have often been left to their own devices, brimming with wildlife which makes a great addition to the urban habitat surrounding them, which can be photographed in close proximity to where you live, capturing those moments with your camera.

Both Mark and Jay came with me on that early morning start, after the first days interviews I had told mark of my affection with cold toast,so it was a nice surprise to see two slices prepared and wrapped up in foil as I was picked up, which was really funny and made me laugh in the darkness of that morning. When I arrive in a new place that I have no knowledge of, I always find myself looking around, smelling the air and really trying to build a picture in my own head of what’s going on around me and tell tale signs or clues to what wildlife may or may not be around.

I always find east with my compass, knowing where the light will come from will really help in capturing images in the morning light. I had a look around the lake, worked out where I’d like to settle and got myself into place and all set up for the rising sun, which had slowly started to creep up before me. Jay and Mark set up their cameras and again just left me to it and started to film and photograph me while at work, as I explained all the time what I was doing, looking for ,camera settings and so on.  The light was amazing, calm water with no ripples giving you that affect that the birds, in this case Mute Swans were floating in space.

Swans are big and powerful birds that are really beautiful when you take a closer look. They have a calmness about them if left alone which shows off their great elegance and beauty.  I wanted to capture that beauty within these images as they calmly drifted effortlessly around where I witnessed at times them closing their eyes and sleeping. Such gentleness and calmness I saw and that I hope I have captured with these images.

These Swans kept me company throughout that morning coming in close to see if they would be fed, then retiring to a safe distance should I present some bread or other food for them. I didn’t use any food as I just wanted the birds to come and go as they wished, even though they had a slight tolerance to humans they were still wild animals and free to come and go. As it happened I captured some wonderful moments using my trusted long lens and much loved wide angled lens which is perfect for wildlife and getting those wider shots I love seeing and photographing.

I spent a good several hours around the lake and surrounding area that morning and had some wonderful moments, making several short films, all explaining my craft for PhotoTraining4U. I will be going live on the site in January 2012 when I will officially join the site as one of their masters, covering my passion of wildlife photography for them.  The films I’ll be shooting with the team will follow me as I work the land, from dawn to dusk.  I will showing members how I work, photographing wild animals within their habitat, showing their different behaviours and characters within photography.

I had a really good time, big thanks to Mark, Jay and the rest of the team.  Thank you all for your hospitality and warm welcome, and I look forward to working with you guys. As I mentioned I will be going live on the site in January 2012, becoming their master on wildlife photography. Where all the films I will be making can be seen on there website, so if you’d like to know more information then visit PhotoTraining4U’s website or email me direct here.

And just before I go I heard back from the British Wildlife Photographic Awards – BWPA last week and my short-listed Red Grouse image in the Habitat category was beaten by a Red Grouse wide angled shot, almost the same as mine, without the light, so I was a little gutted there, the winning image there was amazing. I entered some amazing images captured in the wild but they didn’t get anywhere, with alot of images doing well from set up sights which aren’t the same as finding the image through your own hard work in my eyes.

It really puzzles me to what judges are looking for within a wildlife photograph for a competition, where it comes down in the end to the photographers integrity to disclose the facts of the shots, that can be judged alongside the image. Good luck to all those who won or where commended. Here is the image, 15 minutes crawling forward to capture this male Red Grouse calling down the valley which was covered in morning mist, shot with a 24-70mm wide angled lens

And one of my favorite images entered into the same competition, two Great Crested Grebes going about their courtship, captured here swimming alongside each other in a show of affection towards each other.

I have often said on previous blog pages covering many different subjects and places, you just never know what you’ll see when working with wildlife. And this one sentence couldn’t be further from the truth on a recent outing photographing Watervoles at a site within the beautiful Peak District, Derbyshire. This little creature lives a peaceful life on our riverbanks up and down the UK, often going unnoticed by passersby, but should you go to close or spook this animal you’ll be greeted in most parts by a loud “PLOP” as the vole makes a quick dash for safety by diving straight into the water and away to safety.

I am very fortunate to have found over the years several good sites in which these animals live and breed in. Watervoles are one of my favourite mammals, with their enduring character and cuteness, making them a lovely subject to watch and also photograph. They are legally protected in Britain and sadly their numbers continue to plummet. Due to its small size and the fact that it lives both on land and in the water, Watervoles are prey to numerous predators wherever they appear to live.

Mink, Weasels, Foxes along with Adders are the most common predators on dry land, with Owls and other birds Of prey hunting them from the air. Large fish such as Pike are known to hunt these mammals also. Their vast reduction in numbers in recent years however is not just caused by this high level of predation, the loss of much of their natural habitats has had a much more drastic effect along with the destruction of bank side vegetation, and pollution playing a vital part of their declining number on our shores.

I have been very lucky over the years in finding sites when I’m out and about, often there looking for another subject, when suddenly I’ll see gnawed nuts, shredded bark and cut grass leaves, all clear indicators of their presence around me at these new sites. One such site I have been watching for some time now, in-between my one to ones/workshops and other projects, I have captured them going about their lives along this very healthy river system in a beautiful and secluded part of the UK.

They share this space with a family of Little Grebes and I managed to captured the fully grown fledgling floating effortless on the dead calm water here, learning the skills his parents had taught him over the last several weeks.

On this day in question I got into place at dawn, settling into place, there was little wind, as Watervoles have an incredible sense of smell. I stay as low as is possible and become part of the riverbank, hiding away using the natural cover afforded to me from the reeds and bank side vegetation always mindful not to disturb these animals with my presence. I never enter the water around where they live or breed as I personally feel that this is a step to close, the welfare of any animal comes before any photograph, something you must be aware of with every living animal you photograph.

Much of the time when you are waiting for a wild animal to turn up you never know where, how or if your chosen subject will turn up so during this period I always become tuned into my environment, listening and watching for anything that indicates life, movement and the possibility of a different image or a new site or subject appearing. This approach is time consuming but greatly rewarding when you witness or see something for the first time, or even learn a bit more about your subject or that of any other living creature that may show up during your time at a certain place.

Without warning though I heard a slight rushling noise coming from deep inside the reeds as I witnessed the tops of the broad reeds moving, like someone was passing through underneath them if that makes sense. The next thing I saw was a Watervole climbing out on a very narrow branch and trying to reach some leaves at the end.  I just could’nt believe what I was seeing here.

Using his tail and hand as he balanced himself at the same time slowly and carefully moving along the branch, a few times pausing in an act to just steady himself. I didn’t know what to do first, laugh or stop and ask myself was I really seeing this, a wild animal doing a behaviour I’d never seen or even heard of before.

As the Watervole neared the leaves he would gather one and just casually sit there, suspended above the water beneath him and eat a few more before climbing back down to firm ground and a place you are normally accustom to seeing Watervoles live and feed in and around.

I feel privileged to have seen this behaviour on this day, really underlining you just never know what will happen as you watch wildlife and by being ready with your camera, constantly watching your subject you will, with luck be able to capture such events that would be hard to explain outside of a set-up image.  Not long after this he carried on feeding on the ground, a little out of shot, then disappearing into the dense undergrowth, where I didn’t see him again that day.

I’ll be going back soon hoping to see this pair and over the summer months my Watervole workshops have helped many of my clients not only to see this wonderful mammal in the wild but they have been able to take some wonderful images also. If you would like more information on these days then please click here and scroll down to the bottom of my workshops/photo tours page.

I had a lovely surprise over the weekend with one of my favourite Spring Tides at Norfolk images published in the Daily Telegraph newspaper, the image can be seen above and the link here. It was taken on one of the Spring Tides that really start in earnest on the lead up to Christmas now. I focused inside the flock as half of the birds, which are called Knot, started to take off, leaving a queuing system on the ground as the other Knots waited to join them by taking off and returning to the mudflats of the wash in Norfolk.

If you would like to witness this amazing event, I run one to ones/workshops there concentrating on these spectacular days in the morning, then throughout the rest of the day we visit many other amazing sites around the North Norfolk coastline, finishing at one of my Barn Owl site there capping off a wonderful day of wildlife photography, for more details please see my link here many thanks.

It only seems like five minutes since I was in the Tiger reserve of Ranthambhore in India and twelve months have passed since those beautiful encounters with the Royal Bengal Tiger last April in the year of the Tiger.  I have just returned from 8 days there with clients on my Tigers Of India photo tour, where we spent some amazing moments with these beautiful creatures.  Everyone’s wish was to see these animals at the same time and maybe capture them on camera and that’s exactly what they all did during our time in the magical country of India, a firm “Welcome Back“  greeted us all.

After the early evening flight on Saturday from Heathrow, Terminal 5, British Airways, we arrived in the early hours of Sunday morning where our air conditioned transport was waiting to drive us the 370km drive to Ranthambhore and our accommodation on the outskirts of the National Park.  We drove through many cities and small towns that were a cauldron of beeping horns, mopeds, cows and children and tuk-tuks, real India all around us.  We stopped off to fresh up, a cup of hot, sweet chai and a bite to eat, before setting off on our path to Rajasthan, the vast state of kings that shares a border with Pakistan.  The colours of the buildings are brilliant, bright colours that come zinging out of the deserts, simple clay houses all painted iridescent pink, domed temples are blue and people clad in colourful clothing right the way through to the village elders its an amazing drive and one where you see the real India.

The Ranthambhore Tiger Reserve is the single largest expanse of Dry-Deciduous Forest left intact in India, such forests were found all along the North and Central Aravalis but in the last few decades they have been badly degraded and right now this Tiger Reserve is their last strong hold.

Its one of the best place’s in India to see the mighty Bengal Tiger, one of the most stunning, handsome and awe-inspiring creatures on earth. The Ranthambhore National Park, which is a part of the much larger Ranthambhore Tiger Reserve, is a Project Tiger reserve; it lies in the Sawai Madhopur district of eastern Rajasthan. It is right now the only forest reserve in Rajasthan state and in the entire Aravali hill ranges where tigers exist. There are seven ‘old’ gates within the national park and twice a day we’d pass through the main gate, our way to one of the 5 zones you are allocated before each trip,with each zone being around 25 km plus in size, where your jeep has to stay on a small path which takes you around the chosen zone,with a very strict code of conduct on board eg.no shouting/loud noise, you cannot get out of the jeep, its all controlled really well with the Tigers welfare being paramount. 

On Our first full day of safaris both jeeps had some amazing views resulting in great close ups of the Bengal Tiger. On this trip I have two small jeeps that can sit 6 people plus driver and guide, however, I only put two people in each enabling better movement and space for the clients photography as I have first hand experience that this is the very best way to photograph Tigers from the constraints of a small jeep where timing is everything.  We had two safaris per day, one in the morning and one in the late afternoon taking us into the late evening light.

I rotated myself during the day between each jeep, so each group received my help with the correct apertures and camera settings for the Tigers, also working alongside the expert knowledge of two of the best guides in India who I worked with last year; Salim Ali- star of the BBC programme Broken Tail seen below in the trailor working with Colin in Ranthambhore for over 400 days tracking this Tiger.  Ragh heading up my second jeep, the best local guides giving my clients the best chance to see these amazing animals perfect recipe for success.

On that first day everyone saw and photographed Tigers and for me it was the perfect welcome back to this amazing place in India.  I could see the look of surprise and shock a little to what each group had witnessed that day, remembering my first encounter, so I knew that look on the clients faces.  Below is an image taken on the first day as we watched this female Tigress stalking Samba Deer, crouching low just like a domestic cat on the lawn at home the only difference being this cat weighed almost a quarter of a ton.

Words just cannot do justice to one of the most beautiful animals on the planet going about its life around you, heading towards you as you slowly feel your heart beat increase, its such a special moment that was mirrored by all the group.  There are less then 3000 Tigers left in India and here on day one we were having encounters that you just would not believe.

On the second day there was a census to count the Tiger numbers so as a group we visited and photographed the fort at Ranthambhore along with all the coloursand people that visit this place to pray and pay respect to their gods, the women bringing their children as the men walk behind,passing through the many gates and dark corridors on the way to the temples to pray. The fort can be seen in the image below on top of the large rocks, being looked over by a female Black Faced Langur Monkey with young.

The Ranthambhore fort is believed to have been built in 944 A.D. by a Chauhan ruler. It is strategically located on the border of Rajasthan and the surrounding forests were used as an outer defence to the advantage of the fort, making it one of the strongest forts of Northern India. The fort had many buildings inside of which only a few have survived the ravages of wars and time. Among the remaining ruins, the two pavilions, Badal Mahal and Hammirs court and parts of the royal palace gave an idea of the old grandeur.

Once you reach the top the view of the Tiger reserve is breath taking with views stretching for miles.  I photographed through one of the many fort holes here showing the park in the distance, giving you a sense of scale of the place.  Its a wonderful place and I can highly recommend a visit here if you are ever visiting Ranthambhore.

It was great to see some of the guards which I had made friends with the year before.  They do an amazing job with limited resources keeping just over 30 Tigers safe from the ever presence of poaching.  They showed me around and were very kind and helpful to my group by letting us pass through the main gate and onto our zone for that day with minimal fuss. I only wished the many politicians and people involved with Tiger conservation  around the world could see the frontline in the battle against poachers and give them more equipment and resources, because on the ground we are asking these fellows to risk their lives against a well organised band of poachers.  Once these Tigers have gone the whole area falls and the Tiger will not return, very sad but money has to be channeled into helping the guards around India in keeping the Tigers alive. I was shocked and saddened by how these guys stop poachers with their limited resources.

After the census had finished we settled into our daily routine with an early rise at 5am, coffee from the staff before the two jeeps came to pick up the different groups, then setting of in search of the Tiger. It is guaranteed to send adrenalin coursing through the veins, whilst every movement in the undergrowth raises the expectation of a sudden appearance of this animal, striped body, footprints in the dust or the warning cries of deer all serving only to heighten the almost unbearable sense of excitement as you watch and listen for the first clue that a Tiger is around you. The photo below shows one of the seven gates we pass through  during our safaris.

The mornings for me are the best, the sights and sounds of the Jungle are amazing,so very different to back home.  Every call you tune into and having to stay on small tracks as you try to see what is happening far ahead by listening and watching for tell tale clues that the ghost of the forest is about.  Warning cries from other animals like Deer and Monkeys are the first indicator somethings not right, then in a flash a Tiger appears as above.  This female was hunting and I captured her walking through a shaft of light.

I always say on my blog the different wonderful and beautiful moments I witness in nature but for me seeing and watching this animal in the wild is one of those moments I truly love and ranks as some of the best times I have spent watching wildlife.  We followed this female as she was actively hunting prey through the forests, sometimes appearing to vanish without trace only to reappear on the tracks that the jeeps use, then standing so still you struggled to see her if you lost eye contact.

The size and build of these animals is amazing, and to see them so close is something I cannot put into words. After the morning safari we’d have breakfast at around 10am then rest until our afternoon safari from 3pm until around 6.30-7pm.  This was our routine for the rest of the week and as with everything you love, it goes to quick.  Sitting with clients in both of the jeeps I always discussed which were the best settings, giving my advice in these testing conditions, where a Tiger can just appear from knowhere then vanish before you ever got your camera ready. I demostanded the best ways that I have found to capture those moments, working with different focal lengths and lens, all the time trying to capture what you see.

As the week went on some of the sightings were at a distance, we did come across a female Tigress protecting a kill among a dry riverbed where she was well hidden from view.  She had killed a Samba Deer some days earlier and was feeding, then leaving it, all the time going back. She had cubs in the area, well hidden from view and she would vanish then reappear again often going to feed and tend to her young.

This photo captured that first moment we made contact with her as she hid the kill really well and had cubs nearby, it was a dry riverbed with overhead cover from the forest trees.  She took nearly two days to finish the kill off and we just watched from a distance before she headed off and walked past our jeep and headed out of site towards where she may have had her cubs safety hidden.  It was clear from her nipples she was feeding cubs and I was praying they might show but I was told by Salim that it was to early and in another 4-5 weeks they will be around and feeding.  I’ll have to wait until next year when there may be a good chance of seeing them at nearly a year old fingers crossed.  A number of other females are pregnant also so there’s lots of new life on the horizon, which will be great for their numbers.

Over time as we watched this female Tigress a crocodile seemed to be heading towards the kill but in the end he chose another path from that one where the Tiger was.

The whole group captured some amazing images of the Tigers and this female was the most popular, where over a period of a couple of days we had a great insight to her behaviour which was fascinating to witness.

The week there pasted far to quick and before we knew it the time had come to leave Ranthambhore and head off home.  I wished I could have stayed as I really love this place and its Tigers, it has a magical feel to it, an old fort taken over by nature.  We headed for the airport the same way we came, packed lunches in hand as we started the journey home, thank you to my clients for your company, big thank you to Ragh and Salim for your help and expert tracking and guidance with the Tigers. 

Many thanks to the staff at the Ranthambhore Bagh where we stay, great food, warm welcome and a great base for this trip.  Next years details and dates on on my website here, I only take 4 people maxim, 2 person per jeep, this is the best for photographing the Tigers I have found over my time there, as space in the jeeps is crucial to capturing that shot you sometimes only have seconds to take before they have vanished into the forests.

I will be releasing a few more limited edition prints very soon to go along with the 3 others I currently have, where 50% of the profits go to a charity I work with to help rise money for Tigers around the world; 21 Century Tiger.  Where they spend 100% of your money in helping Tigers around the world, these animals are in real danger of extinction and need as much help as possible so that future children get the chance to see this amazing animal in the wild. 

When the sun shines everything around awakens and comes to life, warming the slight chilled March air, you can hear the countryside come to life.  Over the many years I have visited Norfolk whether it be alone or with clients on one to ones or workshops, the wildlife never disappoints.  It’s a place I feel at home in, a place that never truly gives up its secrets straight away, almost teasing you with the ever present sightings of different birds gracing this amazing place with their presence throughout the year.

Each month I meet clients on one to ones/workshops, during the Spring Tide days, helping them with their photography, giving real and helpful advice and at the same time showing how to approach and use what you have around you in order to get close to and photograph wild animals in their environment, at the same time watching for any behaviour you may be lucky enough to witness. In between these visits I work on my own projects, mainly focusing on the bird that got my love and interest going as a child with the YOC- Young Ornithologists’ Club, the Barn Owl or ‘Ghost’ as I call this amazing bird.

This nickname relates to when I wait and watch for these Owls to show up.  You wait and wait for a passing glimpse and a view into this bird’s life entrenched with mystery, then from no where and without warning the Barn Owls turns up in perfect silence, gliding, riding the winds currents, traveling effortlessly. Eyes glued to the ground beneath, on the lookout for small rodents that they feed on. They divide the field or area and hunt or quarter which refers to this practice these owls do so well on the lookout for movement, in turn prey.

They are amazing birds and one of my favourite British birds, watching them fly and hunt for a few minutes and then to make eye contact with you is a priceless moment to treasure.  When you see them in the wild you  witness their very distinctive appearance with a white heart-shaped face with no ear tufts and sharp black eyes all contributing to its striking appearance. Those large black eyes only let the Barn Owl look forward in a fixed position and cannot move to the side, so consequently the Barn Owl has to turn its head to see to the side or back. Their hearing is amazing and the ability to locate prey by sound alone is one of the best in the animal kingdom.

Barn Owl’s feathers make them perfectly adapted for silent flight, but this makes them prone to water logging so they are not well suited to hunting in wet weather. The key to an owl’s silent flight is in its feathers, the next time you find an owl feather, turn it on its side and look at the edge — the line of fibers is scalloped, like a stretched seam. The slight alteration in shape allows the feather to cut the air without making sound, making them perfectly aerodynamic.

I’ve been hoping that the ones I watch and photograph in Norfolk survived the recent two very harsh cold snaps we’ve had, which has really impacted hard on the numbers of these birds around the UK, where Norfolk has always been a stronghold for these birds.  The pair that hunt over farmland and marshland have done well so far and are looking their best with the breeding season just around the corner but I have been lucky enough to find another couple of places that have Barn Owls.

So this year I am hoping to document the different birds that live in different environments capturing my trademark images showing them within their natural habitat of rough grazing, marshland and Norfolk reeds.  With the onset of summer around the corner and longer days, the prospect of working with Barn Owls fills me with such joy.

Within my work, habitat, small in the frame and behaviour, form my foundation where I only photograph wild animals, letting people see how and where a certain subject lives and how it conducts its life, so with these images I wanted to show where they live in Norfolk. One site I have known of for many years has a mixture of rough grazing and reeds with small streams and dikes splitting the place into many little areas, perfect for small rodents and perfect for Barn Owls.  I photographed using high iso’s to give me enough speed to freeze the bird in flight, at the same time balancing that with the poor light.  I love small in the frame images, where there is a real innocence about the image, adding a sense of truth to the image and in turn learning people more about the subject.

My work on Barn Owls will last forever, capturing images for as long as I live.  They have such beauty and grace in my eyes, a bird that takes me right back and brings a massive smile across my face, visualizing the great joy that these birds have brought to my life over 3 decades. I hope to bring you more images of this iconic bird over the coming months and even years to come.

My Springtide & Waders Workshops are fully booked until July onwards.  My Barn Owl/Raptors One to Ones days can be booked at a time at your convenience now with the weather getting better and the longer days, these days last from dawn until dusk and include a homemade packed lunch made by my wife.  I will show you several different sites, go through key fieldcraft skills on how to approach and photograph these birds without disturbing them, as they are protected by law, so great care must always be given to these birds.

I give camera advice, settings, composition and exposing advice for these birds, show you the best flight settings, basically, everything I use myself.  Thanks to Nigel for traveling up from Ashford in Kent to Norfolk for a One to One yesterday for Barn Owls.  I look forward to seeing your images.

If you would like any advice on anything I have mentioned or touched on here in this blog post then please drop me a line here, alternatively please go to my One To One page.  For more than one person there is a discounted rate and I often get couples and friends all attending together.  To enquire about free dates please email me, many thanks.

Over the last couple of weeks I have noticed a slight change in the weather, with brighter mornings and lighter evenings.  It would seem spring is on its way and maybe upon us very soon. After a long period of poor weather, resulting in low light, it will be most welcomed, with my recent trips to Norfolk and my wildlife workshops at the beautiful Trentham Estate and working on the several projects I am doing in my own time the working conditions have been testing to say the least, but ingrained in me along with a deep love for wildlife is that motto of mine ‘that there is always an image to be had’, however big or small.

However good or bad weather, working with this mindset always rewards you, bringing out your flare and passion in changing conditions at the same time learning you more about how you view an image, pushing your own creative images and boundaries. I have been lucky on a few occasions though where I have been working on several different subjects, when the clouds broke and the area was bathed in warm sunshine.  Warmth lifts the spirits and brings places to life and I really think spring now is almost upon us and its the best time of year for me, full of life, action and behaviour.  A complete paradise to be among its beauty at this special time of year, witnessing the countryside awaken from its dormant winter state.

The mornings are a wash with bird song at the moment, all competing to be the most musical, filling the air as each bird stakes their claim on a certain patch of ground, among the beautiful songs at dawn one song in particualr symbolizes the British countryside and springtime more than any other call and that belongs to the beautiful male Blackbird. The call travels far, cutting through all other bird songs and is a mixture of different notes and pitches that once you hear its distinctive sound you will never forget the sound.

Spring is one of the four seasons, the period between winter and summer, and for me the words Spring and Springtime bring thoughts of life, birth and regrowth to our countryside.  A special time for wildlife, where all species are looking their best, in tip top form hoping to attract the ladies and breed with.  Behaviour within the animal world starts in spring, handsome males showing off, displaying to each other in an act of supremacy over the other, using what ever they can to win over the attentions of the females securing a mate for that year.  With the lighter mornings and evenings wildlife becomes busy, more active giving greater opportunities to capture its beauty during springtime.

As our Winter visitors leave to go back home to breed the influx of our summer visitors start to slowly arrive to our shores making spring one of the best times in the calendar of nature.  I maybe a little early still but from the work I’ve been doing over the last two weeks a change is in the air, alas the odd frostly night and cold morning thrown in to confuse and disorient the wildlife is always on the cards but on the whole winter is behind us all I feel.

The countryside becomes a wash with colours and new growth, a mesmerizing number of birds fill the lands.  Flowers start to bloom, eventually carpeting the woodlands in a blue carpet of bluebells, one of the great sites of Britain.  Many other flowers suddenly start to appear, muti-coloured and hugely varied in form and shape.  A beautiful time of the year where that extra hour of light at either ends of dawn and dusk is very welcome and needed, making the days longer and warming the place for longer.  It really is my favourite time of the year.

I have been working on many different subjects, building trust and patience with each species involving many hours waiting.  I have two new Dipper sites and my workshops are as popular as ever, the Skomer workshops I do are being booked with the arrival of the “clowns of the sea” as I call them.  Any day now the Puffins will arrive now spending 8 months of the year at sea and only 4 months on land, an amazing feat.  I have always loved small in the frame images, showing the subjects habitat letting people see where the animal lives and how it conducts its life.  The following two image are a male Wren and a male Dipper on the same stretch of river looking in top condition.

While photographing the Dippers at this new site I spent some time watching this male, who had found these logs all gathered together at the side of the river and used them to defend his territory from and sing.  I saw him dive into the water and feed and he seemed to be acting differently so I turned on the video on my camera and began filming.  About thirty seconds into the film he turned around and in a flash regurgitating a pellet.  The contents of a bird’s pellet depend on its diet, but can include the exoskeletons of insects, indigestible plant matter, bones, fur etc, many birds do this to remove such pellets, I have rarely seen this though in Dippers and I was really lucky to have captured it with this short film.

Below I managed to photograph a male Kestrel hunting over marshland over the last few days which is among a large industrial estate, where I think they have started to make a nest, here I used the cover of the reeds to break my shape up at the same time hide my approach clearly showing the estate in the back ground. Something I plan on working on should these birds stay.

There is just so much going on now within the countryside so enjoy this magical time of year where for me there is just not enough time in the day to capture everything I plan working on, I am hoping to capture images from my time spent on the various different species over this beautiful time of year that spring is. This is not always possible though so for me just being there is enough, where I witness a window into a wild animals world.

For details on my workshops, one to ones and the photo trips I run  then please contact me here or alternatively view the workshops page for full listings. The Sumatran Orangutans trips itinerary can now be viewed and booked here

All of my photo trips from one to ones right up to the bigger trips are designed and lead from the front by myself, where each trip is designed  for wildlife photographers where I pride myself on working with the very best people on the ground and in the field giving that personal and private touch offering all clients the best service possible with smaller group sizes in most cases ensuring all my clients get my full expertise and guidance, learning more about the wildlife and the environment in which they live.  Many thanks and good luck with the weather.

And before I go on page 90 of the March issues of the BBC Wildlife magazine you’ll see an advert for a range of clothing called 511 Tactical series, they want me to trail some of their clothing and equipment while on my travels here and abroad. Ray Mears himself an ex-soldier has been using this brilliant clothing for years.

The name “511” represents a gruelling climbing grade as listed in the Yosemite Decimal Grading System, and as a skilled climber myself I’m looking forward to using this clothing and equipment.  I’ve spoken with their top UK guy and they are branching out from their American homeland and going for the ‘softer’ approach away from the guns and the body armour etc. They are looking to the outdoor market, walking, camping, survival market and climbing for which it was originally designed for and gets its name from.

I will be using their tactical pants –cotton, tactile Pro pants, tactical Pro long + short sleeved shirts all in green and browns,sand colours, their Rush 72 back pack complete with hydration pack idea for long walks with heavy kit which is the way I work while in the field.  A place where you have to rely on your kit to make it just that bit more comfortable, I will update my blog and do a full field test and review when I’ve received the items of clothing and equipment. Their website can be viewed here.