Spring time for me is the best time of year. Wildlife is everywhere and bird song fills the air, even more so over the last several days, waking up to several inches of thick snow on the moors of the Peak District. I thought this maybe an April fools too far. During the last ten days or so I have enjoyed the very warm temperatures of spring whilst in Norfolk and other places around the UK running my one to ones and also my own project work.
Great Crested Grebes, Brown Hares, Barn owls and many more species all settling down, starting to pair up and begin a family at this wonderful time of year. I had a one to one in Norfolk and really enjoyed showing my client around. We captured some wonderful images of Barn Owls, Brown Hares and waders during the day and Ben wrote a lovely blog post with some great images which can be seen by clicking here
“You couldn’t make it up if you tried” first came to mind, as I had two one to ones booked in to photograph Red Grouse on the moors, the heavens opened and inches of snow fell. Some roads in and out of Buxton where closed so it was really touch and go on whether the days went ahead. I made contact with both clients as a blanket of thick snow in early April really is unheard of. Also very worrying for the wildlife sitting on eggs and trying to breed/mate while the weather was plunged into freezing, wintery conditions.
Both of my Red Grouse one to one clients where great sports and both days went ahead as planned. The first day was a little tougher due to the snow being at its highest from the previous day’s downfall. We had to walk in places knee deep in snow as we ascended in darkness to where the grouse live and play out their lives among the higher regions of the Peak District.
Walking through thick snow with heavy kit bags does get you warm. Full credit to Steve though who knuckled down and was rewarded for his efforts with some amazing encounters of both male and female Red Grouse, the words “you only get out what you put in” ringing around the place as we sat down and drank our cups of tea some 600 meters up above sea level.
I always tell clients that the best way to see and in turn take your photographs is just sit and watch, read and listen to nature, she will tell you what’s around and what is happening. Never force anything and never go with a shopping list of shots you wish to capture. Adopt this approach along with care and respect for your subject and you get some wonderful moments into a wild animals life. On both days both clients did just so and had some lovely encounters with this iconic moorland bird that is so at home within this sometimes unforgiving habitat.
Rival males posing to each other and fighting over their females, trying their luck. We even witnessed a grouse having a snow bath. Cleaning his feathers among the deep snow. Animal behaviour is amazing to see and capture and I showed some key techniques and fieldcraft which enabled both clients to read a little more into what was happening, in turn resulting in lovely moments where we came close to these birds on so many occasions, peering into their world through their eyes. This always has a deep and long lasting impact on me, making that contact with nature is priceless.
The weather on both days started well but became foggy on the second day but again the grouse came close and carried on with their lives around us which was magic and true, real wildlife photography for me. Blending in, using what’s around you and just watching and working the land. Thank you Steve,Nigel also Ben for your company over the last several days and I wish you well in your photography.
What a difference a few weeks makes and always be careful what you wish for. In my last blog I was only just saying how mild it was for this time of year and how wildlife has almost started making a home in readiness to rear their young. Cold temperatures and snow with freezing fog and frost all mixed in over the last several days, giving nature the worst kind of wake up call. You must never take anything for granted more so nature as this just may come back and bite you when you least expect it.
Grabbing my camera on one such day I captured a few images of the birds from my local park , looking for a different angle in which to capture the bird’s spirit.
Once the roads had cleared a little I did manage to visit the Peak District with Paul my client where we were hoping to see Red Grouse. The snow was also a wonderful bonus, as it had fallen covering the whole area in a beautiful blanket of snow. Thank you Paul for being a great sport in such testing conditions when walking up to where the grouse were.
I have just spent a couple of days in Norfolk photographing a much loved event in nature’s calendar, the Spring Tides. I’ve written so much about these days and had articles published showing my images. It was nice to be back and witness this event over the last couple of days having not been to Norfolk since November due to work commitments. Little did I know what was waiting for me in Norfolk, as I set off for this event from my Staffordshire home in the early hours of the morning, with the weather changing constantly as I passed through the different counties on route to Nelsons County, Norfolk.
You park up and get dressed ready for any event the weather may throw at you. Snettisham and the surrounding areas are open and very bleak where great care must be exercised in poor weather. Once in place depending on the tide times your normally greeted with a fanfare of calls, sometimes if your timings are spot on the sky can be awash with actively too as flocks seem to wiz by you, feet above your head, drowning you in a vast chorus of noise and calls as they whistle past. It’s a truly remarkable feeling and one you just never tire of witnessing in whatever weather or conditions.
A mixture of different light conditions and weather gave me a chance to play around with compositions and shutter speeds, giving a different effect and feel to my images. The slow shutter speed images are something I have always loved to do when photographing wildlife. I like to refer to this practise that I am so fond of within my work as capturing the animals but in slow motion. Freezing a moment in time, giving the image a sense of movement in the absence of any sound is what I hope to achieve by using this technique.
I mentioned their sound and if you could hear the noise generated by these birds during these spring tides it would mesmerize you, it’s so uplifting to hear. A bird adding a different key or note, I always like to try and listen then listen again to hear those individual bird calls because if you view the flock as a whole it’s hard to make out which birds are there and which aren’t.
This part of Norfolk is always bleak and remote offering you a great platform in which to view this amazing spectacle. Different days offer different images for me, where I am always trying to capture something different, learning from the past visits here. On the whole it was a good few days with many lovely images, once the peace returns and the tide begins to retreat the waders start their return back to the mudflats. When it gets to this point there’s always the queue to leave and I go back to my transport for a warm drink and often to dry off.
There are several areas in Norfolk I have regularly visited over the years to watch and hopefully photograph Barn Owls, and I was lucky enough during my recent time there to have seen two pairs at two of the four locations I know of. The others maybe there but the weather may have played a part in them staying in rather than venturing out. Again as previously mentioned I am always looking to push my own photography when I am alone and not with clients. Seeing something different and then trying to capture that idea with my camera.
This is one of the main parts of photography that always excites me, as my arty streak in me comes out and working alongside your cameras abilities you can often capture something different. With the few sightings I witnessed of the Barn Owls I tried different compositions, manual focusing, and extreme positioning of the subject in the corners of my viewfinder, creating lots of blank and open spaces to the front of the main subject.
Norfolk’s also a great place to for Brown Hares and I came across a few during my time there, wonderful mammals to spend time with and watch.
Many different images from the various different weather conditions that I’ve endured and as I write this blog there are still areas of the country where snow is around, but in the coming week the temperatures are set to rise so maybe nature has seen the last of winter now but I don’t want to speak to soon as before. On a serious note I do hope wildlife hasn’t suffered to much during the recent cold spell and fingers crossed spring is just around the corner.
Tigers around the world need help, they are crucially endangered, with their numbers in the wild at a dangerous level. Upon first seeing these animals in the wild it reddened me speechless because of their amazing beauty. They cannot just be left to die out with just a few remaining in zoos and parks. A world devoid of wild Tigers would be a very sad place indeed.
Through 3 limited edition prints I raise money to help these beautiful animals, where 50% of the profits from the sale of these images goes directly to 21st Century Tiger. They spend every penny on saving this most beautiful of animals we have roaming the earth at present. In several weeks I return to India once more hoping to share my passion for these animals with my clients booked onto my Tigers of India photo tour. Each one has a dream of seeing these animals and along with the brilliant guides I work with there I hope to show and help each person capture some wonderful images of this amazing animal.
I am donating one of my 2010 Year of the Tiger images as the first prize in a photography competition for another UK Tiger charity called TIGERS4EVER.org. It hopes to raise awareness of the plight of the Tiger in the wild. The print is only 1 of 100 ever printed and will be the first prize in this competition. Calumet UK are very kindly supporting Tigers4Ever’s 11-16 age category photographic competition also with a 1st prize of £100 Calumet gift vouchers.
If you are interested in entering and helping this charity where all monies raises through this competition goes towards helping Tigers then please click on this link http://www.tigers4ever.org/ many thanks and the best of luck.
There is a real air of spring around at the moment among the UK countryside, with the odd spell of frost or even snow on the higher grounds, just to add to the confusion for nature. 2011 was one of the warmest years on record with lengthy periods of warm weather each month right up until the end of the year. In with the New Year and again those mild, warm temperatures seem to be still with us with little promise of the cold spells we’ve had in previous years.
On the ground nature is confused, the sudden warming temperatures for this time of year is playing a cruel game with nature, one minute warm the next an overnight frost. You can see and hear the birds singing to attract a mate, defending their territories with great cause. Dippers displaying and starting to gather nesting material, the countryside really feels like it should be much later than it really is due to the influence of the warmer weather.
Mother Nature is powerful though and animals and plants will overcome and survive. I believe as nothings is as powerful as nature. While being among wildlife you get the impression that you’ve missed something or they have, what I mean is by watching the behaviours of the wildlife its seems that winter has been by-passed and were heading straight into the season of spring. I really hope that the cold spells of weather that nature has endured in 2010 and 2011 wont now come along and catch the wildlife out as that would be one of the cruelest lessons in which to learn from. However, I fear that this could happen quite soon.
As each year passes and we hear that a warming record has been broken, or nearly broken again, it provides further evidence that unfortunately we are not just seeing a natural cycle of global warming, but instead humans are having an effect on the climate. I am not qualified on paper to start debating what is right or wrong I just know on the ground among wildlife things are changing and I do hope nature won’t be caught in between these warming temperatures and strange happening among the seasons.
Over the last three months though there has been one bird that seems to be doing really well within the warming temperatures and that is the beautiful Short-eared Owl that seems to have invaded many areas of the UK feeding on the bountiful supply of rodents. The internet is awash with brilliant images showing this often rarely seen owl outside of the breeding season. Recently I have spent back to back days there trying to capture different angles and images of these stunning owls.
Over that time the owls are late risers and rarely come out before the early afternoon but I go there at dawn and wait as you never know what may happen, as the site has other birds of prey. Fortune often rewards me and I was lucky enough to see a lone Shot-eared owl hunting in the morning light. I’d located an area in which these ground dwelling birds roost overnight and then just suddenly appear in the afternoon. I set my gear up overlooking this area, not to close to disturb them, placing my converter on my long lens as I waited.
Often the periods of waiting were greater than the time I’d see them but for me it’s just the enjoyment of being around wildlife. That’s enough for me anything else is always a bonus. I often say I could sell all my camera equipment tomorrow and still be happy sitting and watching with my binoculars.
I have witnessed them diving for prey, perched in the morning light, and hunting in the pouring rain, which is very rare to see. This is a costly exercise for owls as they don’t do well in rain. As I witnessed this it does pull on my heart strings as you just know that owl is hungry and gathering enough food to stay alive. It was tough viewing this.
I also have had some lovely encounters with a pair of Barn Owls that have lived in this area for some time now. They appear when they want to and unlike some Barn Owls I photograph in Norfolk they are rarely seen in the day. They don’t have any routine here and this Barn Owl came out as the sun was setting and gave the whole area a lovely warming glow and feel, which is a welcome relief if you have been there since before dawn. You have to use fieldcraft skills and patience when photographing owls as they sometimes fly past you, and in this case straight at me. Another amazing encounter as the sun was setting. I am really lucky to see and witness this.
Their hearing is one of the best in the animal kingdom so great care when you start to shoot is needed otherwise they will bank off from where they hear that noise, in this case the camera shutter, so hold your nerve and wait and then press when you’re happy. I’ve seen some wonderful behaviour in both the Short-eared owls and this pair of Barn Owls recently that I have tried to capture within these images.
After the success of my previous wildlife workshops with Calumet Photographic I have several others now lined up on their seminars page. Two dates for the amazing Spring/Summer Tides in Norfolk covering this event which has captivated me for many years and Sping Time on the Moors in the Peak District. For those that live in and around the capital, London, I will be doing a two day Beauty of Wildlife workshop at Calumets Drummond Street branch on April 14th and 15th. These workshops are open to all skill levels and backgrounds within wildlife photography.
The workshops are designed to give you the best opportunities to take the best images from your day in the field whatever nature throws up. To ensure that everyone’s needs are met the workshops are limited to 8 participants. You’ll be in good company, sharing your ideas, images and love of photography amongst the beauty of wildlife.
You’ll take your photography to the next level and in the process you’ll immerse yourself in your photography and I will be right there giving you a personal photography lesson. For more details click here to be taken to Calumets seminars page, then either click on the Drummond Street branch in London or the Manchester branch to see the full list of wildlife workshops that I am doing in conjunction Calumet Photographic.
During the last several days I have been busy working in my office, the great outdoors, as I call it, amongst nature which is a place I find great peace in, capturing more magical moments. With a couple of one to ones in the Peak District, and a visit to the SWPP conference alongside PhotoTraining4U who had a stand there, my other free time has been put to good use watching and looking at the several subjects I am hoping to photograph this year. It’s always enjoyable at the same time very time consuming setting up your own work from scratch. But when it works and you see the subject(s) and capture them going about their lives it’s the best feeling you can possibly have as wildlife photographer.
I have been lucky enough over this time to have had some wonderful close encounters once again with different wildlife, the Short eared Owls are still very much around, hunting in the late afternoon sunlight. They normally stay at sea level until around late February to early March, but with the warmer temperatures they may just disappear at anytime. They are also very nomadic out of the breeding season and once a food source has dried up in the area that they are staying in they just leave without warning and find another vole rich habitat in which to spend their winter months before returning to their spring breeding grounds.
A Kestrel hovering right above me in the first rays of dawn light was one such magical moment. I got into place just before dawn, hid myself away along a natural gully and waited, as the sun’s rays began to warm me I heard Magpies and Crows calling which can give you your first clue wildlife is around. In most cases they call when there’s a bird of prey around hoping their calls and mobbing behavior will somehow move that bird on. I watched this Kestrel, hunt, then back track on itself, covering the ground in a sweeping motion, doubling back on himself to cover every inch.
He carried on coming forward, searching in vain the grasses and reeds below him, those same reeds that were sheltering me. He then hovered right about me, and in the still of the morning I could just make out his faint wing beats as I watched and captured that moment with my camera. We made eye contact, watching each other which always has a deep impact on me, a powerful feeling I cannot explain. Those briefest of moments are captured here with these images shot with my 1.4 converter on. He stayed for around 15-20 seconds then went. He’d heard me and as I am writing this blog I can see him looking down at me, remembering that moment as though it was seconds ago, that’s the power of nature.
Barn Owls are without doubt though one if not my favourite UK birds, and I have enjoyed lovely moments too over the last several days with these beautiful owls. Only recently I have read with great interest a report on how they hunt. Having been fascinated with this bird from childhood I’ve learned a lot about them and their feather structures having taken them home with great interest having found them on the ground. The way in which they hunt or quarter and their heart shaped faces have always amazed me, the heart-shaped face works in a similar way to humans outer ear , collecting and directing sound toward the inner ears which helps this amazing hunter do what it does best, slightly glide over land hunting in almost pure silence.
The report has found that each of a Barn Owls ears is a slightly different size and shape, and one is higher on the bird’s head than the other. The owls can analyse the differences in the sound received by each ear to automatically calculate the exact position of that sound-source. Which means that they can detect prey below them in pure darkness and hunt with great effectiveness and stealth. In most parts Barn Owls hunt in the dark so visual information is not possible, so their hearing really is their lifeline. Flying in silence helps them listen for movement, prey that’s moving.
Most if not all of the owls plumage is covered in a dense covering of feathers, those feathers produce more lift with each beat due to their shape and design, having a high curvature. This design allows the air to pass through and they offer little turbulence, reducing friction noise between the feathers. The end result is one of the most prolific hunters within the natural world. And the report suggests in time the structure of the Barn Owls wing may provide a guide for the design of quieter and more efficient airfoils for the aviation industry. Proving yet again that so many designs of man-made products are derived from the wonderful world of Mother Nature.
Barn Owls are amazing and they are just so wonderful to watch and photograph, the following slide show shows images taken over the last three years, from several different sites, showing these amazing birds of prey hunting and flying on the wing, I hope you enjoy it as much as I did putting these images together.
Thank you to my two clients, Mike and John for your company on your one to ones within the beautiful Peak District. I will continue working on my subjects and fingers crossed I’ll have some wonderful images to post on my blog in the coming months.
As the year draws to an end now and my favourite time of year is just around the corner; Christmas, I would just like to wish you all a very Merry Christmas. Many thanks to all the wonderful people I have met this year on my workshops and trips and I do really hope I have helped you all, inspired you all in seeing the wonderful and amazing world of wildlife around us at the same time getting the very best from your kit to use on the ground in the simplest of ways. I look forward to welcoming all my clients booked on my many trips for next year and one to ones.
With all my Christmas shopping done early this year I spent the least amount of time within the urban jungle I live in, fighting my way through this habitat in which I am least equipped for, I just have the last dash before Christmas to get the cream for my trifle, which I do each year, a family recipe from my late mum which I still make each Christmas as a form of comfort in more ways than one.
Having done this all early this has allowed me more time to carry on my work with the amazing and graceful Short eared Owls on the north west coast of the UK. Having spent many days and hours at these owl sites I have got use to alot of their patterns, their larders in which they store their catch while the going is good. They are beautiful birds and often I have this place to myself as I watch for the slightest movement on the ground. They are normally late risers and their liking for a lie in sometimes catches you off guard and one minute nothing.
Then once you make a cup of tea or do something else and look up there before you is the flapping of their wings and the faint call or hiss as they awaken and start gliding through the air with those large wings, a mixture of beats and flaps followed by a graceful soar then this routine is repeated as they hunt. I am always greatly touched upon seeing wildlife go about their lives around me and this spurs me on to hide away more, not wanting to break that trust you build up over time.
These images I have been processing took me back to my recent time spent with these owls, where I relived every moment as I was processing each special moment captured. Some I shot into the natural light, some I under-exposed and over-exposed creating a hi key effect which I love. I also used the blurring effect to create movement with some, this gives the image a sense of movement and when shot in portrait composition it gives a dramatic effect which brings my creative side to the surface. You pick up the subject as early as possible then with your camera and lens firmly attached to your tripod follow or pan keeping your focus on the subject the best you can.
Hidden away having watched these owls now for some time I got alot of information about their ways and patterns and I chose to hide away, low to the ground hidden and camouflaged with the wind in my face to take any noise away from the approaching owl, no fast movements, nothing that would make these owls jump or be scared in his pursuit of food.
I saw him coming towards me so here I waited, waited and then once he was so close he almost filled my viewfinder and I pressed my shutter capturing several amazing close ups, this is one I love with the sense of movement captured in the wings by the slow shutter speed while I nailed the focus on his face, giving that sense of impending movement to the image. Every moment I spend with nature is special to me and everyday my life is enriched with its beauty and time spent with these owls of late was no exception, a wonderful, close, special moment with this owl as he went about his business and I watched and marvelled at his skills in hunting and catching prey, his flight patterns, his calls, his ability to fly and turn without warning, just amazing!
For me wildlife photography is about using your skills and knowledge of wildlife together in the pursuit of capturing an image from the wild where nothing has been changed by man. As a professional I think I have a duty of care to not only the subject but also to the general public to show an image as seen on the ground. This approach is the whole foundation to my work. In an age when there are lovely images everywhere you look I think images should be judged today on the amount of effort and knowledge and fieldcraft used in order to capture an image as personally I don’t like anything that is to contrived or set up where the animal is made to do something in order to get an image almost like a master and servant, where if you do something you get a prize for that, it has to be unplanned, unscripted and true for me.
My passion for wildlife goes alot deeper than just an image, I watch, study, listen and spend time in watching their behaviour, trying to work with the animals and sometimes when I get an image I feel I have cheated the subject by using my skills in capturing that given image by laying in weight having studied them I hope that makes sense. When I watch an animal I have that connection and I shoot with my heart and eye and I build that trust and care for the subject and when I have taken the image and captured that priceless moment I worry if I have betrayed that trust built up through patience, fieldcraft and care.
I care about every image I take and what I do, I love wildlife and nature means the world to me, it has helped me in life and instilled a great peace from an early age, nature helps in many ways, its beauty brings joy in so many ways and its presence in people lives helps them to live and breathe and at this special time of year it’s even more important I feel to embrace what we have around us all. A few of my favorite images from the last twelve months are in the following slideshow, showing the true beauty of wildlife.
One of my Barn Owl images graces January’s issue of the much respected BBC Wildlife magazine which is on sale now, its always lovely to see your work in print. I spent two months watching and photographing this male Barn Owl during one of the countries coldest spells of weather for decades. At times it was hard to watch as he was hunting in all weathers and times of the day in a desperate attempt to feed in order to survive, how cruel nature can be to its own sometimes. he did survive though and all ending well for this fellow. Thank you to Wanda for requesting the image and Sophie Stafford, the editor, for having this image in your magazine.
And just before I go I wanted to just update you all as I go live in the new year as PhotoTraining4U’s Wildlife Master. I will be doing a series of short films following me through some of my work in the field, tips and advice when working with animals in the wild and much more. You will see how I work, get a chance to ask questions relating to my work or questions, advice and help in regard to your own work. If you wish to join then quote the following affiliate code: 7816 when joining. Click on the small icon above and this will take you to this site which is an online site for all your photography needs.
It just leaves me to say I hope you all have a wonderful Christmas and new year and I wish you all the best for 2012, many thanks.
Winter announced its arrival recently bringing to an end one of the warmest autumns since records began with gales, icy winds and snow in parts of the UK. While the seasons change from autumn into winter there seems to have been an invasion of Short-eared Owls to various areas around the UK. These birds come down from the moorland and higher ground during our winter months to spend their time at sea level before departing back to the higher breeding grounds come February and March. The numbers of this most striking of owls has been up on last years and at this rate looks set to match the brilliant numbers of 2009.
Many of these birds are being seen across the whole country at present indicating a fantastic year for their main food source of voles and small rodents. One of the many things that is good about these beautiful birds is that they hunt in mainly daylight, particularly from mid-afternoon onwards and they can stay in an area through the winter months providing the voles and other small rodents in which they feed mainly on remain at a good level.
This year has been a bumper year for voles with the warming temperatures making it ideal conditions for these small mammals to breed. Birds are coming from the continent also to take advantage of the plentiful food source experts have recorded. Over the last couple of weeks I have visited several places of which I have photographed these owls in the past and as mentioned 2009 for me was one of the best years, but this year may just beat that as numbers and sightings continue to rise each week.
Bright yellow eyes that look at first glance as though they are frowning if they look at your directly. With their pale faces acting to enhance their most striking of features, those bright eyes. Hidden away I watch and scan the marshland and rough grazing grounds that these owls love to feed and live on and being a ground dwelling bird they blend in so well with their plumage colours.
Their feathers a mixture of bold bands and rings forming a wonderful pattern that renders them invisible once they are on the ground. Sometimes you hear them before you see them, a loud short “bark” like call echoes across the area. They are normally late risers, starting to hunt from lunchtime onwards but I have noticed after a period of wet weather they can come out from first light, as they need to feed and recover lost time and build up those supplies of food that will see them through the cold weather.
Once in the air you witness their broad, stiff wings flap with great purpose almost in a slow motion fashion, covering the ground well with each rise and fall of their wing beats. Once they leave the sky and come down low you almost lose them among the vegetation colours, until you see their white under wings as they pass by. The distinctive black bands and bold barred tail standing proudly as they glide in between their wing beats.
I have had mixed fortune with the weather so far, after one of the mildest autumns since records begin the weather has changed getting colder with windy and wet weather a lot of time, with the odd break in the cloud sometimes, warming the areas in which these owls are at present. In weather that all owls dislike and choose not to hunt in, survival is by feeding on their larder of food which they stock pile when the goings good and keeps they going until hopefully the weather breaks. If the weather doesn’t change I have known Short-eared Owls to leave an area, vanish to warmer climets way before the late February get away, back to their breeding grounds.
Their bright yellow eyes are surrounded by smudged black makeup, set in a large round, disc like shaped face which is stunning to the eye as they glare at you before flying past. They always seem so startled by the world around them as I watch them hunt or perhaps that’s defiance, but they are full of character and self belief and watching them hunting and comb an area for prey is a magical experience to witness.
They fly warily around each other, closing and drifting apart, rising and falling, slowly spiraling in wide circles, as they drift across the marshland. Notoriously during the breeding seasons they are very territorial and fiercely defensive of their area. But during the winter months as they glide around our countryside almost in a nomadic manner are very tolerant of each other.
I am hoping the cold weather of the last two winters doesn’t happen this year as along with the Barn Owl many Short eared Owls died due to being unable to feed and break through the frozen ground that at times was covered in snow for days even weeks at a time making the whole process of finding food a real contest of pure survival.
I will be concentrating my efforts in the sites I have known for many years over the next several months and I hope to capture a few more images and spend some time filming and watching these beautiful owls. I will update my blog on how I get on during that time and fingers crossed the weather doesn’t betray them, forcing them to move on to other areas.
WWT Photography Competition 2011-2012
I am delighted to have been asked for a second year to become one of the regional judges in this brilliant photography competition. Over the last week I have judged two categories which I was assigned from the Martin Mere wetland centre. Choosing my selection from the autumn heat which then goes onto the final. When the competition closes on 31 August 2012 all regional heat winners will go through to the grand national final to be held in autumn 2012. Then the Portfolio Photographer will be chosen and awarded the grand prize of a trip to Antarctica.
The winter heat is now open until the 29th February 2012 so click on the following link for more information and details of how to enter this brilliant competition. I visit Martin Mere quite a lot, and during the winter months they have the beautiful Whooper and Bewick Swans as visitors, as they spend their winter months with us before heading back north to their summer breeding grounds. The image above was taken at Martin Mere showing three Whooper Swans flying in against the cold winter sky on a frosty day.The very best of luck to everyone that enters.
Over the last week I have revisited my Red Squirrel site in the North west coastal region of the UK. I managed to capture these most adorable mammals in better light, having got use to their behaviour a little which in turn makes for a better image. This whole area is managed by the wildlife trust who keep an eye on the population of Red Squirrels that were almost wiped out 3 years ago. Numbers are slowly increasing with the hard work and dedication of the local trust and volunteers. Every living animal for me has their own spirit, their own character and I really try to capture that within my work. Unplanned, unscripted in its truest form, watching wildlife and capturing those briefest of moments when you witness their unique behaviour. This is priceless.
The story with these guys is that they are really shy here among this pine forest habitat and not as bold as their grey counterparts, this though is the red’s undoing as the introduced greys are a more formidable forager of food and adapt to their environment far easier than the indigenous reds. Also the pox virus brought to these shores by the greys is wiping these little cute fellows out and experts warn that in as little as 20 years Red Squirrels could become extinct which would be a very sad day indeed.
A little supplementary food is put out by the trust but mostly these red’s forage for food on the forest floors, your first indication they are around is the sudden claw sounds as they chase each other around the tree trunks. Once on the ground though they are quick, real quick, darting all over the place and you have to follow and focus almost at the same time which was a little challenging to say the least as you just don’t know where they will turn up.
I love to just watch wildlife, build a picture of what’s happening as all living animals have routines and patterns they stick to, creatures of habit, the way they move, walk or feed and congregate with others etc. So by watching these squirrels’ patterns when ascending from the trees to the forest floor to feed I learned a great deal from them. I’d focus in one given area keeping down on my own movements and noise that may just spook these fellows enough for them to disappear which is never my intention when working in the field with any living creature.
Once I’d heard the rustle of leaves that littered the ground I stayed still and lay flat on the ground to get that important and intermit view point with them. No rain had fallen so they were dry and light which worked well for my hearing as you’d hear them coming, but bad for the squirrels as each movement from them was an open invitation to view them straight away as the rustle give their position away instantly. I became aware the squirrels knew this and after a few paces they seemed to momentarily pause, dead still, then move again.
At first I tried to follow them through my viewfinder but found that they were just too quick and expert at giving me the brush off. Then I changed tact, focused in on an area I kept seeing them come to, it seemed a cross way veering off to many different paths they had to various areas where they stashed their bounty for another day. I also saw them rubbing their bodies along the fallen log in this area which the trust had left to rot and give back its riches to the soil.
The problem was if I moved my lens or camera as they approached they’d go before I could say hello, so I listened, looked left and right once the first rustle was picked up by myself. A light and not as heavy noise meant they were some distance away, louder and firmly noises meant they were close as my eye was pinned to my view finder with no time to swing a long lens around. I put all my eggs in one basket as they say and I had several wonderful close experiences with these beautiful mammals that crossed over an area to my front where they were picking and feeding on fungi and other food bits in and around this old fallen tree that was slowly being claimed back by nature.
I pre focused in this area and when he came close, I slowly used the large manual focus ring on my lens, which gave away no noise, shooting in quiet mode in camera, this reduces the noise as much as possible each time the shutter is pressed. Slowly I began, 1 shot, 2 shot, pause, as I watched for an indication he’s disturbed by me, if so I stop, if he wasn’t disturbed I continue with the same slow pace. This approach works for me always remembering that these are wild animals with a healthy dislike for man. You have to work with them and in their environment and as a wildlife photographer I have a duty of care to the subject not to scare him into next week just for an image.
He routed around and fed on whatever he could find then went as quick as he’d come, it was wonderful to see these adorable animals so close and trusting towards me, where he let me into his life briefly and where I was able to capture his spirit and sole as a living creature with these images. I mention this such alot on my blog but at a time when wildlife is really under pressure you have to put the welfare of the subject first before any photograph is taken.
Due care and thought for the animals well being should be one of if not the most important consideration before you head out anywhere to photograph whichever subject you are taking. With camera equipment and the need to capture images of wildlife there comes a great responsibility with it, so please be mindful of this when trying to get an image of a wild animal and watch for signs of stress and disturbance. All wild animals have an inherent fear of man, place yourself in their circle of fear and you will be adding to that animals stress.
In this month’s Birdwatching magazine one of my wader images can been seen in their December edition. The image shows thousands of waders taking off while others waiting on the ground before joining them taken on a Spring tide in Norfolk. A bigger version can be seen on the 500px site by clicking on this link. It’s a wonderful place to display your images and somewhere I’d recommend having just joined.
The Spring tides for this year have now finished after this weekends brilliant showing, the next ones I have free are from February 2012 onwards so if you wish to know more information about these Spring tide days I run or to book one then just send me an email here The image above was taken on one of the last few Spring tides this weekend with clients, showing a Sanderling feeding with the tide coming in, replenishing the beach he was feeding on. Thank you to all those who have booked onto my Spring tide days and I look forward to the next ones in 2012.
And just a quick reminder Practical Photography magazine will be displaying a portfolio of my Spring tide images in their issue out on the 29th December 2011 so look out for that, many thanks.
Where did the time go I asked myself as yesterday came to an end? Two wonderful days showing eight clients ‘The Beauty of Wildlife’, firstly at Calumet Manchester in their brilliant studio/classroom and the second day out on the moors of the Peak District, Derbyshire, on my wildlife workshop in conjunction with Calumet. The aim of this workshop is to demonstrate the simple techniques that I apply to my own photography and to then share these with the group.
I demonstrated to the group how to approach their subject using fieldcraft skills without causing any distress to the animal, this in turn lets them relax, which will present you with the best opportunities to photograph their beauty, expressions and behaviour.
The first day was a mixture of talks, slideshow presentations and photographic tips and advice, followed by a cup of tea and biscuits. After which I went through each clients camera showing how to get the best from each make and model in readiness for the second day out on the moors, where those tips could make all the difference to a well composed image while at the same time learning more from the wildlife that live in this part of the world. All the information and advice we discussed was contained in a handout I’d prepared for each client as seen above, this would help once the group had gone home to use as a reference guide.
Photographing wildlife in ‘the wild’ is the only real and true way of learning about behaviour and fieldcraft, so it was very important for me to show the group on the second day how I work and go about getting the images that I achieve, while working with subjects that are free to come and go as they please and have fear for humans, where you have to work the land and the environment to try and obtain an image, straight from the wild so to speak. The group was a great mix of people, from all over the UK at varying levels of competencies and were really good company.
We had some amazing light on the second morning of the workshop. We met at 5am in the pitch black of the morning and there was a low lying mist, but above I could see the world’s atlas as I call it, the stars, so I knew this would clear as we made our accent. I had gone through some key elements to wildlife photography the previous day in my presentation to the group. One of those elements was ‘light’. Find it, work with, and create your image alongside what light you have. So after a 40 minute accent in total darkness, guided by our small tourches we reached the area in which the grouse, hare and other wildlife of the Peak District make their home in.
Straight away over to the east the sun was just beginning to force its way up, burning off that surrounding mist and exposing a warm, wonderful glow to the area. I quickly saw a silhouette of a Red Grouse, let the whole group know and watched as they all used fieldcraft, slow movements and got themselves into place, went through the settings, checking shutter speed and so forth, using the key skills and elements I’d touched on the previous day.
The images above show that wonderful moment and all of the group had at least one image, capturing several elements that came together during the few minutes this grouse allowed us into his life. Light, colour, silhouette, composition and exposures all working together to produce a lovely and different image, what a great start to the day. I couldn’t have asked for more for the clients. I wanted to try and capture some of the colours and shapes of the clouds during this amazing moment so I used a wide angle to try and focus on the bird while showing the colours. He took off not long after and you can just make him out over to the left, very small in the frame with blurred wings. It gives you an idea though of the wonderful site the group had that morning.
During the morning we were all treated to many different encounters as the heathland and moors came to life. Grouse flying, landing, settling down on rocks to call and state their claim to a given area, wondering who these shadowy figures were at that time of the morning, moving around this beautiful and unique environment. Rain and mist came in afterwards, so we all took shelter and waited for the visibility to improve and for the mist to go away, which it did sometime later and the sun shined all day there afterwards.
The group followed the advice I’d given the day before on another real key element within wildlife photography, fieldcraft! Approach with care, stay low, and see and read the signs on the ground in front of you, look for light and above all respect the subject more than any photograph. All the group were brilliant and got some amazing encounters and images through their hard work , ‘you only get out what you put in’. This is the key.
After lunch the group were free to explore for themselves, put into practice skills and tips I embedded throughout those two days and it was really good to see them all going about their own work and capturing some lovely images with strong composition, good use of natural light and above all listening and watching wildlife to build a picture of whats happening around you.
Being in the wild really showed the guys how to capture images using fieldcraft and watching and listening to wild animals in their own environments. This is the only true and real way people will learn this key skill I believe. When I met up with the bosses at Calumet Photographic I stressed that I would only like to work among nature, showing people key elements you must learn and use to be able to photograph wildlife. After the two days I think the whole group enjoyed those two days, learning and benefiting so much this way, which is my main aim when delivering this beauty of wildlife workshop to the public.
A big thank you to all the clients for your time and efforts during the two days. I really hope you got a lot from the days and learned something new. You were all great on the second day and looking back now you can see through the images you captured why the early start was so important to capturing lovely images of wildlife.
I have another two wildlife workshops planned in conjunction with Calumet Photographic, Saturday 21st & Sunday 22nd January and Saturday 10th & Sunday 11th March, with other ideas for the spring including a 2 day workshop in the beautiful county of Norfolk, photographing the spring coming alive with wildlife. More details will be posted on Calumets events site very soon and I will update my blog when they are finalized.
Also many of the workshop participants hired camera equipment on the day from Calumet which worked really well for the clients, so if you’d like to attend and hire your equipment then just speak to Calumet, Manchester and it can all be arranged for you when you turn up as their service is excellent. The same goes with the many wonderful workshops I run here in the UK and abroad where you can hire from your nearest Calumet dealer before you come on any of my workshops should you wish to hire. For details of prices and rates contact your nearest branch on the link here.
Calumet, Manchester have a Autumn open day on the 9th November where I will be in attendance to help or answer any queries or questions about wildlife photography, they have lots of other things going on that day including a free camera sensor clean, special offers along with some brilliant companies offering advice and help. So if you are in the area pop in to say hello.
These workshops have been included in this months BBC Wildlife magazine as part of their photographic tours/trips, again for the second year running along with one of my favourite images of a Barn Owl hoovering and hunting as their main image, covering two pages 112-113 of the October issue, it looks amazing, or you can view online here and last years, where have the last 12 months gone. Many thanks again to all the clients who booked, it was nice to meet you all and thanks for a great two days.
